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The DfEโ€™s Writing Framework: Our review and implications for practice

August 30th, 2025

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Enhancing studentsโ€™ writing: The power of revision checklist sessions

August 28th, 2025

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Why is emotion often the missing piece in our understanding of teaching writing?

August 23rd, 2025

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Whatโ€™s good writing? Well, it depends who you ask

August 23rd, 2025

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Understanding whatโ€™s at โ€˜the heartโ€™ of the writing process

August 22nd, 2025

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Why Johnny canโ€™t and wonโ€™t write

August 17th, 2025

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Six discourses, four philosophies, one framework: A critical reading of the DfEโ€™s writing guidance

August 13th, 2025

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Write to read, read to write: Reimagining the writing classroom

July 29th, 2025

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Composition conceptualised: Why is it important for teachers to have a productive conception of composition?

July 25th, 2025

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Children as Writers: Does choice impact motivation in Year 6 writing? by Alice Bidder

July 24th, 2025

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Debunking edu-myths: Pupils should write about the wider-curriculum subjects in writing lessons

July 23rd, 2025

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How Writing For Pleasure transformed our grammar teaching โ€“ and our SATS results by Justin Gisby-Clark

July 22nd, 2025

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Debunking edu-myths: โ€œIn Reception and Year One, composition is less relevantโ€

July 21st, 2025

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Debunking edu-myths: We must develop childrenโ€™s motor skills first, and teach writing later

July 19th, 2025

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Bringing pleasure to reading lessons through writing

July 18th, 2025

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Debunking edu-myths: โ€œChildren choosing their own writing topics gets in the way of teaching writing effectivelyโ€

July 17th, 2025

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Debunking edu-myths: โ€œThe best way to teach pupils to write is by teaching them to master sentencesโ€

July 17th, 2025

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What do we really mean by โ€œI got my best writingโ€ฆโ€?

July 16th, 2025

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The rise of โ€˜elaborate dictationโ€™ and โ€˜writing-related simulationsโ€™ in English schools: Unethical writing teaching

July 16th, 2025

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Teaching encoding

July 15th, 2025

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Celebrating aspects of the DfEโ€™s Writing Framework: Championing personal writing projects

July 14th, 2025

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Debunking edu-myths: โ€˜Emergent writingโ€™ isnโ€™t necessary before teaching children to write

July 11th, 2025

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Celebrating aspects of the DfEโ€™s Writing Framework: We can finally move on from the book-based approach to writing

July 10th, 2025

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Celebrating aspects of the DfEโ€™s Writing Framework: An evidence-informed step towards meaningful, motivating writing instruction

July 8th, 2025

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Debunking edu-myths: Scope and sequences canโ€™t coexist with responsive writing instruction

July 7th, 2025

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Debunking edu-myths: Children must master sentence-level accuracy before they can write whole texts

July 4th, 2025

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Debunking edu-myths: Writing errors form bad habits

July 2nd, 2025

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Teaching young children to write: The case for ditching extended writing

June 19th, 2025

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Enhancing your writing teaching: Insights from a metacognitive model

June 17th, 2025

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How to keep students motivated to proofread: Practical strategies for the classroom

June 13th, 2025

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The Writing For Pleasure Centreโ€™s Sentence-Level Curriculum

June 9th, 2025

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How to teach writing in the EYFS

June 8th, 2025

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How to teach writing in Key Stage One

June 7th, 2025

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Balancing scripted lessons with teacher autonomy:ย How Writing For Pleasure Centre units work

May 2nd, 2025

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Early writing development and our book-making approach

April 24th, 2025

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The relationship between childrenโ€™s oral language and the quality of their writing

April 4th, 2025

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Transcription and oral language are key to childrenโ€™s early writing development

March 31st, 2025

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Identifying and addressing childrenโ€™s writing needs

March 19th, 2025

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What might a high-stakes national โ€˜writing fluencyโ€™ assessment look like and why is it a bad idea?

March 19th, 2025

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โ€œI canโ€™t writeโ€: An autistic studentโ€™s journey with Writing For Pleasure

March 12th, 2025

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The writing map & evidence-informed writing teaching

March 10th, 2025

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Visualising the science of writing: The writing map explained

February 27th, 2025

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What writing ambitions do schools have for economically underserved pupils?

February 6th, 2025

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Helping children proof-read their spellings

January 31st, 2025

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Developing motivated and successful writers in the EYFS

January 22nd, 2025

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Underwriting: Should teachers do it?

January 16th, 2025

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โ€œThis is when we play writing!โ€: Writing and play in the EYFS

January 14th, 2025

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Supporting at-risk writers in Nursery and Reception

January 8th, 2025

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Supporting children who are at risk of writing failure

January 6th, 2025

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Are students with high creativity skills successful writers?

December 13th, 2024

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The effects of ‘informed spelling’ on children’s reading and writing achievement

December 10th, 2024

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How should teachers use books to inspire and guide EYFS pupils in creating their own non-fiction texts?

November 13th, 2024

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Let’s use ‘kids writing!’

November 10th, 2024

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How can you teach children to write before they know their letters?

November 10th, 2024

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How do children start learning to write before they start school?

November 10th, 2024

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A sensible (centralist) approach to early writing teaching

November 10th, 2024

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What is student agency and why is it needed now more than ever?

November 6th, 2024

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Translating ideas into writing: Highโ€‘impact strategies to nurture childrenโ€ฒs writing in early childhood classrooms

October 28th, 2024

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Student agency in the writing classroom: A systematic review of the literature

October 25th, 2024

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How can non-fiction writing be taught in the EYFS to inspire and develop children’s writerly knowledge and confidence?

October 18th, 2024

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Response to Ofstedโ€™s โ€œStrong foundations in the first years of schoolโ€ report

October 10th, 2024

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Childrenโ€™s agency in the primary school writing classroom

October 7th, 2024

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Aiming for authenticity: successes and struggles in increasing authenticity in the writing classroom

October 2nd, 2024

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Asking writers: What subject knowledge do teachers need to teach writing?

September 23rd, 2024

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It’s OK! Don’t panic! You can give children agency and structure in the writing classroom

September 17th, 2024

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Real-world writing: Making purpose and audience matter

September 11th, 2024

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Understanding why people write: Making writing authentic for children

September 9th, 2024

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The Mercers’ Company & The Open University: Approaches to reading and writing for pleasure

August 30th, 2024

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Friends and authors: The benefits of children co-authoring

August 26th, 2024

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Comparing childrenโ€™s oral and written storyretelling: the role of ideation and transcription

August 22nd, 2024

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Reigniting young writers: Supporting authentic class writing projects

August 17th, 2024

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Authenticity and childrenโ€™s engagement with writing

August 17th, 2024

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Does โ€˜perspective takingโ€™ matter for students’ writing?

August 17th, 2024

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‘This isnโ€™t my real writing’: The fate of childrenโ€™s agency in narrow writing schemes

August 7th, 2024

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Bringing purpose & audience to the centre of our writing classrooms

August 5th, 2024

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Learning to read as writers: The role of authentic class writing projects

August 2nd, 2024

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The principles of planning effective class writing projects

July 31st, 2024

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Keeping it real: Valuing authenticity in the writing classroom

July 26th, 2024

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Who is going to read the story that I have written? The role of audience when planning, drafting and revising

July 26th, 2024

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How we can support children as they are writing

July 24th, 2024

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Writing strategies for English language learners

July 22nd, 2024

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Thinking through writing: writing to learn

July 19th, 2024

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The effects of writing-to-learn on academic achievement

July 19th, 2024

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Drawing first, writing after: A winning strategy for early writers

July 19th, 2024

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Intertextuality. The glue that binds reading for pleasure and writing for pleasure together?

July 18th, 2024

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The book-planning 2.0 approach

July 18th, 2024

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Reading for pleasureโ€™s impact on writing for pleasure

July 18th, 2024

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How to help children plan their writing

July 18th, 2024

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How to teach your pupils to read as writers

July 18th, 2024

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How to co-construct success criteria with your pupils for class writing projects

July 17th, 2024

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What are children doing as they produce writing?

July 17th, 2024

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The contribution of working memory on young writers

July 13th, 2024

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How can we encourage children to think about their readers as they are writing?

July 13th, 2024

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Dialogic writing. How to support peer feedback conversations

July 13th, 2024

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The rationale for revision checklist sessions

July 13th, 2024

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Comparing young childrenโ€™s oral and written storyretelling: the role of ideation and transcription

July 12th, 2024

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Evidence-based recommendations for teaching writing

July 8th, 2024

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Poems, not a poem: Reimagining poetry projects

July 5th, 2024

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The ABCs of childrenโ€™s writing motivation

June 29th, 2024

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The writer(s)- within- community model and improving the teaching of writing across a school

May 27th, 2024

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Fostering writer identity & belonging in the classroom

May 27th, 2024

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The double helix theory for teaching writing and reading

May 21st, 2024

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Obtain quality writing by giving children some agency

May 20th, 2024

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Mobilising childrenโ€™s motives for writing

May 14th, 2024

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Supporting children with written expression disabilities

May 14th, 2024

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A systematic review and metaโ€analysis of the effectiveness of spelling instruction and intervention

May 10th, 2024

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The relationship between writing fluency & writing quality in 5-8 year olds

May 4th, 2024

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What is writing fluency?

May 4th, 2024

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No more: They don’t know what a sentence is!

May 2nd, 2024

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Building up to extended writing projects

May 2nd, 2024

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Spelling and handwriting provision: A checklist

May 2nd, 2024

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The research on developing childrenโ€™s transcription and compositional skills

May 2nd, 2024

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Multicomponent writing instruction appears to yield better results

April 26th, 2024

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The relationship between reading and writing on children’s compositions

April 26th, 2024

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The relationship between oral language, content knowledge, cognitive skills and writing

April 26th, 2024

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The impact of oral language and transcription skills on children’s early writing

April 25th, 2024

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Teach transcription and composition alone or together?

April 22nd, 2024

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Expanding the developmental models of writing: A direct and indirect effects model of developmental writing

April 22nd, 2024

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Yes, they can: Developing transcription and compositional skills together to help children write informative essays at grades 1 and 2

April 22nd, 2024

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How we can make writing feel less effortful for children

April 22nd, 2024

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Evidence-based practices which give children writing confidence

April 15th, 2024

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The different perspectives you can take on teaching early writing

March 15th, 2024

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Response to Ofstedโ€™s โ€œTelling the story: The English education subject report”

March 8th, 2024

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Writing non-fiction with heart and voice

November 20th, 2023

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Planning a class writing project with the greater-depth standard as the standard

October 30th, 2023

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Evidence-based writing instruction for 11-18 year olds

October 27th, 2023

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Which writing model would best guide us to raise writing standards in our school?

October 20th, 2023

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Sentence-level instruction: Our viewpoint

September 29th, 2023

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Using focus groups to teach writing

September 20th, 2023

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Guidance on what NOT to do when teaching at the sentence-level

September 18th, 2023

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Whereโ€™s the research on teaching at the sentence-level?

September 15th, 2023

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Guidance on teaching at the sentence-level

September 13th, 2023

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We Are Authors Too! Book-making for World Book Day

July 4th, 2023

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What is a high-quality text in the context of the writing classroom?

June 21st, 2023

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How to get success criteria right in the writing classroom

May 19th, 2023

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Childrenโ€™s reflections on โ€˜business as usualโ€™ writing units and Writing For Pleasure class writing projects

May 17th, 2023

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When writing success criteria goes wrong

May 12th, 2023

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The components of effective grammar instruction

May 8th, 2023

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What does effective โ€˜shared writingโ€™ look like?

May 5th, 2023

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How can we improve childrenโ€™s motivation to write?

May 3rd, 2023

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A list of great texts which teach great writing: Mentor texts for 3-103 year olds

May 1st, 2023

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Reading different types of fiction in the writing classroom

April 28th, 2023

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The Writing For Pleasure Centreโ€™s progression for poetry writing: EYFS-KS2

April 26th, 2023

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The Writing For Pleasure Centreโ€™s progression for nonfiction writing: EYFS-KS2

April 24th, 2023

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The Writing For Pleasure Centreโ€™s progression for narrative writing: EYFS-KS2

April 21st, 2023

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Articles & resources to help you develop a cohesive approach and progression for writing in your school

April 19th, 2023

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Writing: Articles and resources to help you with your schoolโ€™s action plan

April 17th, 2023

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What the KS1 STA teacher assessment writing statements really mean and how to achieve them

April 14th, 2023

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What the KS2 STA teacher assessment writing statements really mean and how to achieve them

April 13th, 2023

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14 ways to improve the writing teaching in your school

April 11th, 2023

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How we can improve the confidence of struggling writers

April 11th, 2023

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Reading different types of nonfiction in the writing classroom

April 8th, 2023

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What does the research say about reading in writing lessons?

April 6th, 2023

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Why ‘Writing For Pleasure’ teachers are always teaching

April 5th, 2023

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Trust the process: setting process goals

April 3rd, 2023

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Establishing publishing goals for class writing projects

April 2nd, 2023

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How do we develop writing fluency?

March 30th, 2023

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Being a reader-writer-teacher

March 28th, 2023

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A quick guide to class sharing and Authorโ€™s Chair

March 25th, 2023

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The components of an effective writing unit

March 22nd, 2023

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Teaching children how to plan their writing in KS2

March 17th, 2023

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The Science of Special Education Podcast: Providing research-based writing instruction

March 11th, 2023

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Teaching children how to plan their writing in the EYFS and KS1

March 9th, 2023

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Youโ€™re their writer-teacher! Supporting children to find fruitful writing ideas

March 7th, 2023

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How to help children plan great writing

March 1st, 2023

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Suggested writing practices for children with behavioural or emotional disorders

February 28th, 2023

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Research-based writing practices specific to the EYFS

February 20th, 2023

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Getting writing instruction right for children with SEND

February 17th, 2023

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Writing For Pleasure and the role childrenโ€™s emotions play in exceptional writing classrooms

February 16th, 2023

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The cognitive and motivational case for inviting children to generate their own writing ideas

January 21st, 2023

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Evidence-based writing instruction for children with SEND

January 14th, 2023

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The components of effective sentence-level instruction

December 29th, 2022

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Why diversity in writing matters! Exploring the Writing Realities framework

November 16th, 2022

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Children proof-reading and cognitive overload

November 5th, 2022

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Imaginative writing: Our viewpoint

October 21st, 2022

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The secret to children doing great proof-reading

October 20th, 2022

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More top tips when talking to children about editing

October 12th, 2022

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Top tips when talking to children about editing

October 4th, 2022

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Eight tips for developing great proof-readers

September 26th, 2022

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What is a Writing For Pleasure pedagogy?

September 15th, 2022

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The components of an effective writing lesson

July 22nd, 2022

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A whole generation of children have been put on โ€˜writersโ€™ welfareโ€™

July 19th, 2022

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The direct and indirect effects model of writing

July 15th, 2022

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How can we ensure children are writing independently every day?

July 13th, 2022

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The not so simple view of writing

July 11th, 2022

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What to do when you think you donโ€™t have time to write

June 4th, 2022

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Response to Ofstedโ€™s research and analysis. Curriculum research review series: English

May 27th, 2022

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Getting Writing Instruction Right

April 29th, 2022

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The Importance Of A Whole-School Vision For Writing

March 31st, 2022

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What Sort Of Writing Teacher Are You?

March 24th, 2022

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Writing Persuasive Letters For Personal Gain In Year 4

March 22nd, 2022

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Spinning A Web Of Great Story Ideas

March 11th, 2022

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Having an Ideas Party & taking a Writing Register with Year Four

February 10th, 2022

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I want to discuss this! Children writing their own discussion texts

February 3rd, 2022

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Mr Creighton, can we send our stories to some experts for feedback?

February 1st, 2022

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We’re Going On A Writing Lesson Hunt!

January 13th, 2022

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The Education Endowment Foundationโ€™s Improving Literacy In KS2 Guidance Report: Our Review And Implications For Teaching Writing

December 15th, 2021

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“What do I do with all these ideas?”

December 13th, 2021

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It’s time to make a change!

December 3rd, 2021

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The power of children requesting their own writing lessons

November 30th, 2021

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Look what happened to my speedy book!

November 25th, 2021

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Improving on a first draft: intriguing introductions

November 17th, 2021

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Speedy books: making planning authentic

November 12th, 2021

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Generating ideas for information texts: thinking โ€˜Factionโ€™

November 11th, 2021

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Calling at the Writing Station

November 9th, 2021

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The benefits of building a class library of childrenโ€™s own writing

November 8th, 2021

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What does a knowledge-based writing curriculum involve?

October 5th, 2021

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Developing Children’s Talk For Writing

September 13th, 2021

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How Important Is Talk For Writing?

August 23rd, 2021

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The DfEโ€™s Reading Framework: Our Review And Implications For Teaching Writing

July 13th, 2021

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Reluctant Writers: Where Do We Start? By Ellen Counter

July 7th, 2021

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Teachersโ€™ Talk Radio Interview with Ross Young & Tobias Hayden

May 31st, 2021

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*New minibook* Pupil-conferencing with 3-11 year olds: Powerful feedback & responsive teaching that changes writers

May 27th, 2021

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Are you for real? Bringing purpose and authenticity into the writing classroom for Teach Reading & Writing magazine

May 24th, 2021

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NATE: What can we learn from Writing for Pleasure teachers? for Primary Matters magazine

May 5th, 2021

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The research on handwriting

April 20th, 2021

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The rights (and responsibilities) of the child writer

April 19th, 2021

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Writing with the family โ€“ sofa scribbling, duvet drafting & dinner-time dabbling! by Tobias Hayden

April 15th, 2021

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*NEW* UKLA’s Teachers’ Writing Group

April 16th, 2021

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The Writing For Pleasure Centreโ€™s โ€˜We Can Make Books Tooโ€™ Project

April 15th, 2021

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Writing is one of the best ways to teach readingโ€ฆ

April 14th, 2021

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NAAE Writing For Pleasure event on the 24th of April.

April 1st, 2021

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The Writing For Pleasure Centre’s Children As Writers survey

March 11th, 2021

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Our second teachersโ€™ writing group by Sam Creighton

March 11th, 2021

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Developing a sincere writing curriculum in KS1

February 20th, 2021

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Teaching grammar: our viewpoint

February 9th, 2021

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Our first teachersโ€™ writing group by Sam Creighton

February 9th, 2021

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Focus on writing for pleasure in primary schools National Education Union

February 3rd, 2021

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โ€œAnyone wanna collab?โ€ Personal writing projects go online!

January 26th, 2021

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Reflections on the Writing For Pleasure approach during Lockdown by Benjamin Harris

January 26th, 2021

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Writing with some pupils in my Year One class

January 25th, 2021

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A love letter to genre teaching

January 18th, 2021

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That’s the way I work: One child’s experience of a Writing For Pleasure pedagogy

December 23rd, 2020

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Closing out the year by giving the children a writerโ€™s notebook

December 9th, 2020

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Writing and using a mentor text: Example of practice

December 8th, 2020

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Teachersโ€™ Institute with The UKLA โ€“ Sunday 31st January

December 6th, 2020

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Issues with the book planning approach and how they can be addressed

November 29th, 2020

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Why effective writing instruction requires a writer-teacher

November 10th, 2020

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They wonโ€™t have anything to write about: The dangers of believing children are โ€˜culturally deprivedโ€™

November 4th, 2020

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What makes children want to write

October 22nd, 2020

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What the research says: the most effective ways to improve children’s writing

October 21st, 2020

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A guide to reading with children

October 12th, 2020

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How writing approaches built on using stimuli are damaging children’s writing development

October 3rd, 2020

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Join our virtual poetry retreat (this time, for adults) this half-term

September 20th, 2020

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The DfE and Writing For Pleasure: What happened and what should happen next?

September 10th, 2020

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Writing tests are not the answer you are looking for

August 17th, 2020

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What if almost everything we thought about the teaching of writing was wrong?

July 15th, 2020

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Supporting children writing at home

May 22nd, 2020

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The most common misconceptions about ‘Writing For Pleasure’ debunked

May 18th, 2020

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Debunking edu-myths: Children should only write words they can spell

Hi Ross and Phil. I recently went to some training and it was recommended that we should only be modelling and asking children to write sentences that are at their current phonics level. 

I understand the place for this in phonics and spelling lessons but it would surely limit their development in writing lessons? What does the research say?

The myth

Children should only write words they can spell conventionally. If they cannot spell a word correctly, they should not attempt it. Writing should be restricted to their current phonics level. This is the best way to develop childrenโ€™s early word writing.

Unfortunately, research would suggest that the opposite is true. The idea that children must only write what they can spell is an outdated pedagogy that prioritises neatness of books over childrenโ€™s learning.

Where this myth comes from

Some early literacy programmes erroneously adopt a reading-first orientation. In this view, writing should only be used in the service of learning phonics. This orientation is not supported by research evidence [LINK].

Restricting childrenโ€™s oral language development is a bad idea

Before discussing anything else, this narrow focus restricts childrenโ€™s oral language development. Children use fewer words and arenโ€™t obliged to talk at the โ€˜discourse levelโ€™. This is a problem. Studies have shown that discourse-level talk is possibly the single strongest predictor of later writing success [LINK].

Writing is more than transcription

When we limit children to words they can spell, we aren’t teaching them to write, we are teaching them to copy. As the DfEโ€™s Writing Framework makes clear, transcription is not writing. Research on early writing development shows that transcription and composition should be developed together [LINK, LINK]. 

The youngest of children can already write

Children begin writing before they can spell words. First, we have their emergent writing which includes marks, scribbles and letter strings [LINK]. Then we have โ€˜kid writingโ€™. This is a mixture of marks and conventional โ€˜adult writingโ€™ [LINK]. Children use marks when they donโ€™t know and โ€˜adult writingโ€™ when they do know. 

Take this example.

This childโ€™s writing shows their developing understanding of spelling. They are showing us that they do know:

  • How to write initial and some final consonant sounds
  • They can write phonetically plausible spellings like D-nosaw
  • They are conscientious in identifying and copying the spellings of high-frequency words from the word wall.
  • The child has the confidence to use the vocabulary they really want to use (dinosaur) rather than โ€˜playing it safeโ€™ by using a simpler word (cat).

What they are showing us they donโ€™t know yet:

  • They struggle with vowels in more complex words, using their โ€˜kid writingโ€™ for the missing sounds.

Hereโ€™s another example:

They are showing us that they do know:

  • How to represent initial consonant blends (e.g. sn- sp-).
  • How to hear and record some dominant consonant sounds within words (e.g. -gg).
  • How to correctly spell some high-frequency words such as Tom, up, on, and his.
  • That they will happily attempt any vocabulary that they really want to use. For example, snuggle and special. They do this rather than simplifying their ideas.

This child is demonstrating strong phonemic awareness. They are segmenting words and making deliberate decisions about what โ€˜adult writingโ€™ they can confidently represent. The use of โ€˜kid writingโ€™ for unknown sounds shows strategic problem-solving. They are not abandoning the word; they are marking the gap in their knowledge and moving on. This helps them maintain their compositional flow while letting their teacher know what they still need to work on.

Hereโ€™s what they are showing us they donโ€™t know yet:

  • How to represent vowels within more complex syllables.
  • How to map less salient internal sounds in polysyllabic words.
  • Conventional spellings for digraphs and suffixes within longer words.

Overall, these pieces reflect children who see themselves as writers. They hold composition and word choice in high regard and use temporary spelling strategies to ensure that their ideas are fully expressed.

If weโ€™d simply asked these children to write down words we already knew they could spell, we would have learnt very little. This โ€˜kid writingโ€™ is not a collection of random errors. It reflects a childโ€™s ever growing phonological awareness and letter knowledge. This is how early word writing is developed [LINK].

Importantly for us as teachers, childrenโ€™s โ€˜kid writingโ€™ (also known as using โ€˜sound spellingsโ€™ or โ€˜informed spellingsโ€™) shows us what our pupils do know about phoneme-grapheme correspondence and what they donโ€™t know yet. This can then inform our teaching. 

Encouraging children to use โ€˜informed spellingsโ€™ is actually best practice

Research shows that encouraging children to write โ€˜informed spellingsโ€™ strengthens their phonemic awareness and orthographic mapping and actually helps them learn conventional spelling faster than if they simply copied out a word they already know how to spell. Children who are encouraged to engage in writing โ€˜informed spellingsโ€™ make greater gains in reading and spelling than those who are denied the opportunity [LINK, LINK, LINK].

Spelling โ€˜errorsโ€™ donโ€™t turn into bad habits

The misconception that โ€˜mistakesโ€™ form bad habits also underpins this edu-myth. This fear is unsupported [LINK]. Spelling is developmental. Just as a child crawls before they walk, they use โ€˜informed spellingsโ€™ before learning conventional ones. As children continue to receive explicit phonics and spelling instruction, and participate in lots of meaningful reading and writing experiences, their spelling develops [LINK]. For example:

From โ€˜Supporting childrenโ€™s early word writingโ€™ [LINK]

Childrenโ€™s use of sound spellings is an opportunity for responsive teaching

Sound spellings show childrenโ€™s current understanding. When teachers validate a childโ€™s attempt and then provide the conventional spelling through underwriting, this dual attention supports childrenโ€™s transcription and compositional development in a healthy way.

Vocabulary use matters

Vocabulary use is an important part of childrenโ€™s writing development [LINK]. When children are told they should only write words they can spell, their expressive language and โ€˜writing worldโ€™ shrinks. To cap a childโ€™s intellectual expression is to restrict them to the level of a toddler. They will use fewer words. They tell fewer detailed stories. They are denied the opportunity to share exactly what they mean.

How should I model my own writing as a writer-teacher?

When you model writing, aim to write at your pupilsโ€™ current level or slightly beyond it. Your role is to model delight in composition while strengthening childrenโ€™s spelling knowledge and encoding strategies.

If a word contains phoneme-grapheme correspondence the class has not been taught, you have three options. Choose based on your purpose at that moment.

  1. Model how to use the โ€˜kid writingโ€™ strategy Say something like: โ€œWhen I was your age, I wouldnโ€™t have known that bit of โ€˜adult writingโ€™ yet so I would have used my โ€˜kid writingโ€™. When this happens to you, you can use this strategy too.โ€ This shows children that: writers attempt ambitious words, it is acceptable to use โ€˜kid writingโ€™ for unknown sounds, and spelling knowledge grows over time.
  1. Teach it Stop and teach it but keep it tight: (1) say the phoneme or morpheme, (2) show the grapheme and (3) link it to any prior learning. Then continue writing.
  1. Use the spelling and move on Sometimes you simply write the conventional spelling and carry on without comment or fuss.

Each option protects compositional flow. Each option strengthens childrenโ€™s understanding of encoding. Most importantly, none of them restrict or otherwise undermine childrenโ€™s ability to write for themselves.

What effective practice looks like

Research supports:

  • Phonics instruction to help develop childrenโ€™s encoding skills
  • Encouragement of emergent writing and then โ€˜kid writingโ€™ from the earliest stages
  • The explicit teaching and modelling of encoding strategies
  • Using childrenโ€™s informed sound spellings as evidence of their developing phonological awareness, orthographic mapping and overall spelling development
  • Providing children with verbal feedback and undertaking underwriting alongside pupils
  • Using a writing approach which supports developing childrenโ€™s transcription, composition and oral language together
  • Providing lots of meaningful writing experiences

Put simply, children become better spellers by trying to spell the words they want to write most.

References and further reading

  1. The different perspectives you can take on teaching early writing [LINK]
  2. Visualising the science of writing: The writing map explained [LINK]
  3. The research on developing childrenโ€™s transcription and compositional skills [LINK]
  4. Supporting childrenโ€™s early word writing [LINK]
  5. Ouellette, G., and Sรฉnรฉchal, M. (2008). Exploring the cognitive and linguistic underpinnings of invented spelling. Scientific Studies of Reading, 12, 195 to 219. [LINK]
  6. Kim, Y. S. G., & Graham, S. (2022). Expanding the Direct and Indirect Effects Model of Writing (DIEW): Readingโ€“writing relations, and dynamic relations as a function of measurement/dimensions of written composition. Journal of Educational Psychology, 114(2), 215. [LINK]
  7. Feldgus, E. G., Cardonick, I., & Gentry, J. R. (2017). Kid writing in the 21st century: A systematic approach to phonics, spelling, and writing workshop. Hameray Publishing Group [LINK]
  8. Teaching encoding [LINK]
  9. Debunking edu myths: writing errors form bad habits [LINK]
  10. The rise of elaborate dictation in English schools: unethical writing teaching [LINK]
  11. Transcription and oral language are key to childrenโ€™s early writing development [LINK]
  12. Debunking edu-myths: โ€œIn Reception and Year One, composition is less relevantโ€ [LINK]
  13. Debunking edu-myths: โ€˜Emergent writingโ€™ isnโ€™t necessary before teaching children to write [LINK]

Our subject knowledge series: What writer-teachers need to know. #4 ‘Writerโ€™s block is part of writing’ – Donald Murray

Welcome to our new blog series where BIG WRITING IDEAS ARE SIMPLY EXPLAINED! This series is dedicated to sharing key subject knowledge that can make you a better teacher of writing.

Each month, we will share a new concept or figure with you. Over time, we hope this series can build up your expertise. To follow the series, simply sign up to our newsletter here.

This month, we are looking at Donald Murray.

๐Ÿ“ฃ Writerโ€™s block is part of writing

โ€œSometimes not writing is part of writing.โ€


๐Ÿง  The big idea

In The Essential Delay (1978), Donald Murray reframed so-called writerโ€™s block as an essential part of the writing process. Rather than seeing students sitting and thinking as a lesson failure, Murray distinguished between avoidance (true block) and the need for incubation time (the necessary delay while ideas form, connections surface, and the writerโ€™s purpose clarifies). He urges teachers to help students recognise that the writing process includes productive silences and that pressure to rush to the page can actually undermine their deeper thinking and the quality of their writing.


๐Ÿ›๏ธ In context

YearEvent
1978Murray publishes The Essential Delay: When Writerโ€™s Block Isnโ€™t
1980sRise of process theory, with emphasis on invention and prewriting
TodayMurrayโ€™s insights inform process-based writing instruction

๐Ÿ” Core concepts

๐Ÿ”บ Incubation vs. block
Not all inactivity is avoidance. It’s often preparation and thinking.
๐ŸŒฑ โ€œThe mind is working even when the pen is still.โ€

๐Ÿ”บ Writing is recursive
The writing process involves looping back, pausing and waiting for insight.
โ™ป๏ธ โ€œDelay can be the space where ideas ripen.โ€

๐Ÿ”บ Patience in process
Good writing can require time away from the page.


๐Ÿ‘ค Key figure

๐Ÿ›๏ธ Donald M. Murray
Pulitzer Prizeโ€“winning journalist and influential composition theorist. His work emphasised writing as discovery and the value of process over product.


๐Ÿ› ๏ธ In the writing classroom

โœ… Encourage freewriting, conversation and brainstorming during stuck moments.
โœ… Model and normalise pauses during writing time.
โœ… Avoid seeing students sitting and thinking as always being procrastination.


โš–๏ธ Criticism and debate

๐Ÿ”ธ Some fear that normalising delay supports student avoidance.
๐Ÿ”ธ Others note that not all writers can afford long incubation due to tight deadlines.
๐Ÿ”ธ Still, Murrayโ€™s approach remains a touchstone for compassionate, process-based instruction.


๐Ÿ’ฌ Famous quote

โ€œSitting and thinking is not failure – it’s part of the work.โ€


Find out more:

  • A Writer Reforms (The Teaching Of Writing) Donald Murray & The Writing Process Movement, 1963-187ย by Michael J. Michaud [LINK]
  • Teach Writing As A Process Not Productย by Donald Murray [LINK]
  • Write to Learnย by Donald Murrayย [LINK]
  • Expecting The Unexpected: Teaching Myself- And Others- To Read And Write by Donald Murray [LINK]
  • A Writer Teaches Writingย by Donald Murray [LINK]
  • The Essential Don Murray: Lessons from Americaโ€™s Greatest Writing Teacherย by Thomas Newkirk & Lisa C. Miller [LINK]

Previous entries in the series

  1. โ€˜Writing as a processโ€™ โ€“ Donald Murray [LINK]
  2. โ€˜The cognitive process modelโ€™ โ€“ Linda Flowers & John Hayes [LINK]
  3. ‘S*** first draftsโ€™ โ€“ Anne Lamott [LINK]

Our subject knowledge series: What writer-teachers need to know. #3 ‘S*** first drafts’ – Anne Lamott

Welcome to our new blog series where BIG WRITING IDEAS ARE SIMPLY EXPLAINED! This series is dedicated to sharing key subject knowledge that can make you a better teacher of writing.

Each month, we will share a new concept or figure with you. Over time, we hope this series can build up your expertise. To follow the series, simply sign up to our newsletter here.

This month, we are looking at Anne Lamott.

๐Ÿ“ฃ S*** first drafts

โ€œAlmost all good writing begins with terrible first efforts.โ€


๐Ÿง  The big idea

In her widely loved essay โ€˜S*** First Drafts,โ€™ Anne Lamott reframes the messy beginnings of writing as not just inevitable but essential. She argues that no writers (not even professionals) sit down and produce a polished draft in one go. Instead, the first draft is a private, exploratory space where the only job is to get words onto the page. Revision is where real writing happens.


๐Ÿ›๏ธ In context

YearEvent
1994Bird by Bird: Some Instructions on Writing and Life published [LINK].
TodayFrequently assigned in creative writing and professional writing contexts.

๐Ÿ” Core concepts

๐Ÿ”บ Permission to write badly
The first draft doesnโ€™t need to be good โ€” it just needs to exist.
โœ๏ธ โ€œYou canโ€™t fix what you havenโ€™t written.โ€

๐Ÿ”บ Silencing the inner critic
Worrying about quality too early kills creativity and momentum.
๐Ÿคซ โ€œTurn off the perfectionist voice until later.โ€

๐Ÿ”บ Writing as process
Good writing emerges through multiple drafts, each with its own purpose.
๐Ÿ”„ โ€œDrafting is discovery.โ€

๐Ÿ”บ Private first drafts
Your first draft is for you alone โ€” no one else needs to see it.
๐Ÿ”’ โ€œThe mess can stay behind the curtain.โ€


๐Ÿ‘ค Key figure

๐Ÿ›๏ธ Anne Lamott
Novelist, memoirist, and writing teacher known for her humorous, candid, and compassionate approach to the writing life. Bird by Bird is considered a modern classic on writing.


๐Ÿ› ๏ธ In the writing classroom

โœ… Model low-stakes drafting to lower studentsโ€™ writing anxiety.
โœ… Use freewriting exercises to encourage children’s risk-taking.
โœ… Model the use of revisions strategies as part of class writing projects to normalise revising.
โœ… Discuss professional authorsโ€™ drafting habits to demystify the process.


โš–๏ธ Criticism and debate

๐Ÿ”ธ Some worry it gives children license to turn in underdeveloped manuscripts without revision.
๐Ÿ”ธ Others note it risks romanticising โ€˜chaosโ€™ without teaching concrete revision strategies.
๐Ÿ”ธ Still, itโ€™s widely praised for reducing perfectionism and developing a healthier and more realistic writing mindset.


๐Ÿ’ฌ Famous quote

โ€œThe first draft of anything is s***โ€ – Ernest Hemingway


Find out more:

  • Bird by Bird: Some Instructions on Writing and Life by Anne Lamott [LINK]
  • Freewriting by Peter Elbow [LINK]
  • Real-World Writers: A Handbook for Teaching Writing With 7-11 Year Olds by Ross Young & Felicity Ferguson [LINK]

Previous entries in the series

  1. โ€˜Writing as a processโ€™ โ€“ Donald Murray [LINK]
  2. โ€˜The cognitive process modelโ€™ โ€“ Linda Flowers & John Hayes [LINK]

Supporting childrenโ€™s early word writing

This article outlines how to support children with their early word writing.

Specific literacy skills for supporting early word writing

Successful word writing is a complex task requiring the integrated effort of several literacy skills (Feldgus et al. 2017; Treiman & Kessler 2014; Zhang et al. 2025). These include:

                    Specific literacy skills for supporting early word writing

Emergent writing

This is the most foundational stage and encompasses all of a child’s attempts at writing before they know about phoneme-grapheme correspondence.

It includes scribbling, drawing, making letter-like shapes and writing strings of letters that aren’t necessarily mapped to corresponding sounds (Byington & Kim 2017; Pinto, G., & Incognito 2022). 

Children lean on their emergent writing practices while they continue to learn more about conventional โ€˜adultโ€™ writing (Feldgus et al. 2017; Young & Ferguson 2024a).

Correlation with word writing is strong because it indicates a child has already engaged in exploring the functional purpose of writing (Gerde et al. 2012).

Watching someone write often grabs young childrenโ€™s attention. Children like to imitate the actions of adults. If a young child sees you writing, they will want to participate and copy you. If children regularly spend time in the company of others writing, they will โ€˜writeโ€™ alongside them. As a result, they can learn to engage with writing long before they can form letters. This gives them valuable early experiences with being a writer.

Print conventions

Understanding that in the English writing system writing typically moves left-to-right, top-to-bottom and spaces are used to separate words.

Essential for readability; should be modelled during reading and writing experiences (Cabell et al. 2007; Dunsmuir & Blatchford 2004).

Letter formation

Knowing how to correctly form individual letters (graphemes).

Crucial. Slow or poor formation consumes working memory and can negatively impact a childโ€™s composing (Puranik & Al Otaiba 2012; Reutzel et al. 2019; Santangelo & Graham 2016).

Letter retrieval

The automaticity of selecting the correct letter shape(s) (grapheme) for a specific sound (phoneme). Also known as automaticity of phoneme-grapheme correspondence.

This is the primary skill for phonetic spelling. The automaticity of retrieving the correct letter pattern (grapheme) for a sound is the strongest immediate predictor of early writing success (Caravolas et al. 2001; Malpique et al. 2020; Puranik & Al Otaiba 2012).

Phonological awareness

The ability to isolate and hear the individual sounds (phonemes) within a spoken word. This is critical for children to translate the sounds they can hear into words on the page.

The ability to break spoken words into individual sounds dictates whether a child can attempt phonetic spelling (Cabell et al. 2022). Inviting children to write can develop their phonological awareness (Vernon & Ferreiro 1999; Zhang et al. 2017).

Encoding

The integrated act of segmenting a word, selecting the correct letter(s) for each sound, and sequencing them to write an informed or otherwise conventionally spelt word (Feldgus et al. 2017; Young & Ferguson 2024a).

This is the output measure itself. If children are successfully encoding words, the above required sub-skills are well integrated and working well (Feldgus et al. 2017; Puranik & Al Otaiba 2012; Treiman & Kessler 2014).

Morphology

The ability to understand and manipulate morphemes (the smallest units of meaning in a word, such as prefixes, suffixes, and root words).

Provides powerful knowledge for spelling longer and more complex words (e.g. un- help -ful), reducing reliance on encoding individual sounds. 

Accelerates spelling progress in later stages (Devonshire & Fluck 2010; McCutchen & Stull 2015; Nunes et al. 2003; Wolter et al. 2009).

Orthographic representation

The ability to store and retrieve specific letter sequences from memory (lexical knowledge). This involves recalling a word’s conventional spelling (especially important for irregular words).

Crucial for moving from phonetic spelling (kat for cat, sed for said) to full conventional spelling (Treiman & Kessler 2014).

Cognitive and perpetual skills for early word writing

These seven underlying cognitive and perpetual capacities are the fuel that drive children towards successful word writing.

Cognitive and perpetual skills for early word writing

Cognitive/perceptual focusImportance to early word writing
Working memory Arguably the most critical cognitive skill. Working memory holds the spoken word, the segmented sounds, and the sequence of letters being transcribed in the mind (Berninger et al. 2010; Kellogg 2001; Leidershnaider 2025; Hooper et al. 2011; Zhang et al. 2017).
Oral language and vocabularyA child must know the words that best represent what it is they want to say. Strong oral language, particularly at the full discourse level, is a powerful predictor of overall writing quality (Cabell et al. 2022; Kim & Schatschneider 2017; Puranik & Lonigan 2012; Seoane et al. 2025).
Motor skillsDirectly impacts the fluency of word writing. When graphomotor speed is slow, it creates a bottleneck, diverting working memory away from composing (Leidershnaider 2025; Hooper et al. 2011; Puranik & Al Otaiba 2012).
Metacognitive skillsRefers to functions like planning, self-monitoring, and checking (Balade et al. 2025; Limpo & Olive 2021).
Processing speedThe efficiency of converting sounds to letters and physically producing them (Afonso et al. 2020).
Attention and focusSustained concentration is necessary for word writing (Kim & Schatschneider 2017).
Long-term memoryThe broad category that stores all knowledge (vocabulary, letter forms, orthographic representations). Its function is obviously embedded within the other skills listed (Caravolas et al. 2001).

Engagement with early word writing

As Donald Graves (1983, p.1) famously announced: Children want to write. They want to write from their very first day of school. Keeping that motivation alive is essential as children who are motivated to write are more likely to: put in increased effort, persist for longer, show more enthusiasm, give writing more of their attention and be more willing to seek help from others.

This engagement requires: (1) explicit modelling and instruction in the skills required to be successful and (2) regular meaningful, motivating and pleasurable writing experiences.

Word writing progression

Students’ abilities in word writing develop along a continuum, moving through distinct phases that are greatly facilitated by systematic instruction and meaningful writing experiences. For word writing, this progression is often conceptualised in five phases:

1. Emergent writing

The child hasnโ€™t yet got an understanding of the systematic relationship between letters and sounds. To see the specific stages of emergent writing, click here.

2. First and final sound spelling

The child begins using their letter-sound knowledge but accuracy is usually limited to consonants and short vowels.

  • cat โ†’ ct (child writes the consonants, may omit vowels)
  • dog โ†’ dg
  • sun โ†’ sn
  • bat โ†’ bt

3. Phonetic spelling 

The child can spell most single-syllable words but struggles with irregular words and more complex patterns like silent long-vowels.

  • make โ†’ mak or make (may omit the silent e)
  • home โ†’ hom
  • bike โ†’ bik
  • read โ†’ red or reed (confusion with long-vowel spelling patterns)

4. Chunk spelling

Errors typically occur at syllable junctures or in unaccented syllables.

  • hoping โ†’ hopeing (error at the syllable juncture where the silent โ€œeโ€ should be dropped)
  • running โ†’ runing (omitting the doubled consonant at the syllable break)
  • family โ†’ famly (dropping an unaccented syllable)
  • different โ†’ diffrent (leaving out the unstressed middle syllable)

5. Expert spelling 

Errors are most common with low-frequency, multisyllabic words involving derivational morphemes.

  • electricity โ†’ eletricity (dropping a syllable within a derived form)
  • responsibility โ†’ responsiblity (omitting the derivational suffix syllable)
  • biological โ†’ bioligical (confusing the placement of the derivational suffix -ical)
  • nation โ†’ natian (misapplying the derivational -ion pattern)

It is important to note that these developmental phases are not rigid and children will move between these stages depending on the specific word they wish to write.

Approaches to early writing

The main approaches to early writing include: writing readiness, naturalistic, reading first and communicative (Young & Ferguson 2024b). Each approach profoundly shapes how you teach young writers. Teachers should adjust how much each approach influences their practice based on what they believe their class needs most.

1. Writing readiness stresses early transcription skills. It helps children who struggle with the foundational skills of writing. However, taken to its extreme, it can deny children meaningful writing experiences. Children can begin to see writing as nothing more than transcriptional drills which serve no purpose (Young & Ferguson 2025a). At its worst, it creates passive and disengaged writers.

2. Naturalistic stresses freedom, self direction and self-expression. It values emergent writing, individual pacing, and childrenโ€™s own volition to write (Edelsky 1990). Taken to its extreme, it can avoid providing explicit instruction, leave some children without the experiences or support they need, and can be in conflict with modern-day curriculum requirements.

3. Reading first erroneously delays the teaching of writing in favour of teaching early reading. Research does not support such an approach. Writing instruction and experiences boost childrenโ€™s reading development. Reading and writing are mutually beneficial (Graham & Hebert 2011; Kim 2022a, 2022b; Vernon & Ferreiro 1999).

4. Communicative stresses providing explicit instruction alongside writing for real purposes and audiences (Young & Ferguson 2025b). Daily opportunities to engage in meaningful writing is seen as essential. It balances explicit teacher modelling and instruction with opportunities for meaning making and meaning sharing. It looks to create a community of writers with the focus on successfully communicating with readers. 

We view a communicative approach as the best starting point for early writing. This is because it brings together (1) systematic synthetic phonics, (2) letter formation/handwriting instruction, (3) spelling instruction (4) explicit teacher modelling and writing instruction, and (5) daily opportunities to engage in meaningful writing experiences.

Research-supported recommendations

Six key recommendations emerge from research for effective word writing:

1. Teach phonological awareness

This involves systematic instruction in manipulating sounds (e.g. blending, segmenting). This comprehensive sequence reflects a consensus among structured synthetic phonics programs, all of which prioritise a systematic introduction to phoneme-grapheme relationships.

2. Teach letter formation

Explicitly model and teach letter formation (see here for more). Handwriting instruction should focus on: frequent exposure, making name-sound connections, teaching visually similar letters non-sequentially, and building automaticity in both letter recognition and letter writing. Here is a recommended order of teaching:

3. Model encoding strategies and encourage children to write their own informed โ€˜sound spellingsโ€™ 

Teachers should regularly model how to encode words to paper. An analytic approach should be used for irregular words. Teachers should focus childrenโ€™s attention on the parts of a word that do follow predictable patterns (e.g. the sh and d in should) (McGeown et al. 2013). Informed โ€˜sound spellingsโ€™ let children represent the sounds they hear, even if the spelling is unconventional or incomplete. It is not an error but a sign of their developing phonological awareness and a crucial practice ground for encoding (Ouellette & Sรฉnรฉchal 2008; Treiman 2017).

4. Model chunking

As students progress, they must learn to process chunks larger than individual graphemes. This includes modelling:

(1) common rime units or phonograms (e.g. -ock, -ight, -ean), 

(2) syllable types:

  • Closed syllables (CVC): cat, hop, pen
  • Open syllables (CV): he, go, me
  • Vowel-consonant-e (VCe): make, bike, hope
  • Unaccented final syllables: table, pencil, cabin

(3) morphemes (e.g., prefixes, suffixes, roots)

  • Prefixes: un- (undo, unhappy), re- (redo, rewrite)
  • Suffixes: -ful (hopeful, careful), -less (hopeless, fearless)
  • Roots: struct (construct, destruct, structure), port (transport, portable, import)

Activities like word sorts and word building are highly effective for this type of learning.

5. Encourage children to use โ€˜kid writingโ€™ for the phoneme- grapheme correspondence they donโ€™t yet know and utilise โ€˜underwritingโ€™

When children encounter a grapheme-phoneme correspondent they haven’t learnt yet, they should be encouraged to use a simple line or squiggle as a placeholder. This is sometimes called using your โ€˜kid writingโ€™ (Feldgus et al. 2017). Kid writing is a powerful assessment tool as it quite literally shows you the gaps in childrenโ€™s understanding of word writing.

Underwriting is the practice of transcribing a childโ€™s kid writing or informed spelling into conventional adult spelling. This is typically done under or at the bottom of their original writing. When implemented correctly, it is a powerful teaching tool and feedback mechanism (Ouellette & Sรฉnรฉchal 2008; Puranik & Lonigan 2014). 

Best practice involves ensuring it is done with the childโ€™s consent and presence, celebrating what the child already knew about the word they wanted to write (e.g. underlining their correct sounds), and providing a conventional spelling model for their reference. It offers valuable opportunities for individualised responsive instruction and should be used selectively, never before the child has made their own attempt so as to avoid undermining their confidence and intrinsic motivation to write independently (Treiman & Kessler 2014). For more, see this article.

6. Provide meaningful writing experiences

Children should be regularly invited to use and apply their word writing skills in the context of meaningful writing experiences. Students should be encouraged to apply their ever developing encoding knowledge in daily book-making/writing time (see here for more), reinforcing the connection between skill acquisition and authentic communication.

References and further reading

  • Afonso, O., Martรญnez-Garcรญa, C., Cuetos, F., & Suarez-Coalla, P. (2020). The development of handwriting speed and its relationship with graphic speed and spelling. Cognitive Development, 56, 100965.
  • Balade, J., Rodrรญguez, C., & Jimรฉnez, J. E. (2025). Developmental Trajectories of Transcription and Oral Language Skills in Kindergarten Students: The Influence of Executive Functions and Home Literacy Practices. Journal of Intelligence, 13(12), 163.
  • Berninger V. W., Abbott R.D., Swanson H. L., Lovitt, D., Trivedi, P., Lin, S. J., Gould, L., Youngstrom, M., Shimada, S., Amtmann. D. (2010). Relationship of word-and sentence-level working memory to reading and writing in second, fourth, and sixth grade. Lang Speech Hear Serv Sch, 41(2), 179-93.
  • Byington, T. A., & Kim, Y. (2017). Promoting preschoolersโ€™ emergent writing. YC Young Children, 72(5), 74-82.
  • Cabell, S. Q., McGinty, A. S., & Justice, L. M. (2007). Assessing print knowledge In Assessment in emergent literacy (pp. 327-376).
  • Cabell, S. Q., Gerde, H. K., Hwang, H., Bowles, R., Skibbe, L., Piasta, S. B., & Justice, L. M. (2022). Rate of growth of preschool-age childrenโ€™s oral language and decoding skills predicts beginning writing ability. Early Education and Development, 33(7), 1198-1221.
  • Caravolas, M., Hulme, C., & Snowling, M. J. (2001). The foundations of spelling ability: Evidence from a 3-year longitudinal study. Journal of Memory and Language, 45(1), 740โ€“754.
  • Devonshire, V., & Fluck, M. (2010). Spelling development: Fine-tuning strategy-use and capitalising on connections between words. Learning and Instruction, 20, 361โ€“371.
  • Dunsmuir, S., & Blatchford, P. (2004). Predictors of writing competence in 4โ€to 7โ€yearโ€old children. British journal of educational psychology, 74(3), 461-483.
  • Edelsky, C. (1990). Whose agenda is this anyway? A response to McKenna, Robinson, and Miller. Educational Researcher, 19(8), 7-11.
  • Feldgus, E. G., Cardonick, I., & Gentry, J. R. (2017). Kid writing in the 21st century: A systematic approach to phonics, spelling, and writing workshop. Hameray Publishing Group.
  • Gerde, H. K., Bingham, G. E., & Wasik, B. A. (2012). Writing in early childhood classrooms: Guidance for best practices. Early childhood education journal, 40(6), 351-359.
  • Graham, S., & Hebert, M. (2011). Writing to read: A meta-analysis of the effects of writing instruction on reading comprehension and reading skills. Review of Educational Research, 81(2), 189โ€“211.
  • Graves, D. H. (1983). Writing: Teachers and children at work. Heinemann.
  • Hofslundsengen, H., Gustafsson, J. E., & Hagtvet, B. E. (2019). Contributions of the home literacy environment and underlying language skills to preschool invented writing. Scandinavian Journal of Educational Research, 63(5), 653-669.
  • Hooper, S. R., Costa, L. J., McBee, M., Anderson, K. L., Yerby, D. C., Knuth, S. B., & Childress, A. (2011). Concurrent and longitudinal neuropsychological contributors to written language expression in first and second grade students. Reading and Writing, 24(2), 221-252.
  • Kaderavek, J. N., Cabell, S. Q., & Justice, L. M. (2009). Early writing and spelling development. Emergent literacy and language development: Promoting learning in early childhood, 104-152.
  • Kellogg, R. T. (2001) Competition for working memory among writing processes, American Journal of Psychology, 114(2), 175โ€“191
  • Kim, Y.-S., Otaiba, S. A., Puranik, C., Folsom, J. S., Greulich, L., & Wagner, R. K. (2011). Componential skills of beginning writing: An exploratory study. Learning and Individual Differences, 21(5), 517โ€“525.
  • Kim, Y. S., Al Otaiba, S., Folsom, J. S., Greulich, L., & Puranik, C. (2014). Evaluating the dimensionality of first-grade written composition. Journal of Speech, Language, and Hearing Research, 57(1), 199-211.
  • Kim, Y. S. G., & Schatschneider, C. (2017). Expanding the developmental models of writing: A direct and indirect effects model of developmental writing (DIEW). Journal of educational psychology, 109(1), 35.
  • Kim, Y. S. G. (2022a). A Tale of Two Closely Related Skills: Word Reading and Spelling Development and Instruction. In Z. A. Philippakos & S. Graham (Eds.), Writing and reading connections: Bridging research and practice. Guilford Press
  • Kim, Y. S. G. (2022b) Co-Occurrence of Reading and Writing Difficulties: The Application of the Interactive Dynamic Literacy Model, Journal of Learning Disabilities, 00222194211060868
  • Lacina, J., Roberts, S. K., & Crawford, P. A. (2025). Celebrating Pathways to Joyful and Meaningful Writing with Young Children. Early Childhood Education Journal, 1-6.
  • Leidershnaider, L. (2025). Investigating the Relationship Between Cognitive Load and Writing Task Complexity in Grades 4-6 School-Aged Children (Master’s thesis, University of Toronto (Canada)).
  • Limpo, T., & Olive, T. (Eds.). (2021). Executive functions and writing (Vol. 19). Oxford University Press.
  • Machรณn, A. (2023). Drawings by Children Between 3 and 4 Years of Age: Developmental Study of the Period of Form and Graphic-Symbolic Representation. In The Routledge International Handbook of Research on Writing (pp. 20-35). Routledge.
  • Malpique, A. A., Pino-Pasternak, D., & Roberto, M. S. (2020). Writing and reading performance in Year 1 Australian classrooms: Associations with handwriting automaticity and writing instruction. Reading and Writing, 33(3), 783-805.
  • McCutchen, D., & Stull, S. (2015). Morphological awareness and childrenโ€™s writing: accuracy, error, and invention. Reading and writing, 28(2), 271-289.
  • McGeown, S. et al. (2013a). Individual differences in childrenโ€™s reading and spelling strategies and the skills supporting strategy use. Learning and Individual Differences, 28, 75-81. https://doi.org/10.1016/j.lindif.2013.09.013
  • McGeown, S. et al. (2013b). Towards an understanding of how children read and spell irregular words: the role of nonword and orthographic processing skills. Journal of Research in Reading. https://doi.org/10.1111/jrir.12007ย 
  • Nunes, T., Bryant, P., & Olsson, J. (2003). Learning morphological and phonological spelling rules: An intervention study. Scientific Studies of Reading, 7, 289โ€“307. doi:10.1207/S1532799XSSR0703_6
  • Ouellette, G., & Sรฉnรฉchal, M. (2008). Pathways to literacy: A study of invented spelling and its role in learning to read. Child development, 79(4), 899-913.
  • Pinto, G., & Incognito, O. (2022). The relationship between emergent drawing, emergent writing, and visualโ€motor integration in preschool children. Infant and Child Development, 31(2), e2284.
  • Pollo, T. C., Kessler, B., & Treiman, R. (2009). Statistical patterns in childrenโ€™s early writing. Journal of experimental child psychology, 104(4), 410-426.
  • Puranik, C. S., & AlOtaiba, S. (2012). Examining the contribution of handwriting and spelling to written expression in kindergarten children. Reading and writing, 25(7), 1523-1546.
  • Puranik, C. S., & Lonigan, C. J. (2012). Early writing deficits in preschoolers with oral language difficulties. Journal of Learning Disabilities, 45(2), 179-190.
  • Puranik, C. S., & Lonigan, C. J. (2014). Emergent writing in preschoolers: Preliminary evidence for a theoretical framework. Reading research quarterly, 49(4), 453-467.
  • Reutzel, P., Mohr, K. A., & Jones, C. D. (2019). Exploring the relationship between letter recognition and handwriting in early literacy development. Journal of Early Childhood Literacy, 19(3), 349-374.
  • Rose, J. (2006). Independent review of the teaching of early reading. Department for Education and Skills.
  • Rowe, D. W. (2023). Writing in early childhood. In The Routledge international handbook of research on writing (pp. 187-205). Routledge.
  • Santangelo, T., & Graham, S. (2016). A comprehensive meta-analysis of handwriting instruction. Educational psychology review, 28(2), 225-265.
  • Seoane, R. C., Wang, J., Cao, Y., & Kim, Y. S. G. (2025). Unpacking the Relation Between Oral Language and Written Composition: A Meta-Analysis. Review of Educational Research, 00346543251320359.
  • Thomas, L. J., Gerde, H. K., Piasta, S. B., Logan, J. A., Bailet, L. L., & Zettler-Greeley, C. M. (2020). The early writing skills of children identified as at-risk for literacy difficulties. Early Childhood Research Quarterly, 51, 392-402.
  • Treiman, R., & Kessler, B. (2014). How children learn to write words. Oxford University Press.
  • Vernon, S., & Ferreiro, E. (1999). Writing development: A neglected variable in the consideration of phonological awareness. Harvard Educational Review, 69(4), 395-416.
  • Wolter, J. A., Wood, A., & Dโ€™zatko, K. W. (2009). The influence of morphological awareness on the literacy development of first-grade children. Language, Speech, and Hearing Services in Schools, 40(3), 286-298.
  • Young, R., Ferguson, F. (2024a) Getting children up and running as writers Brighton: The Writing For Pleasure Centreย 
  • Young, R., Ferguson, F. (2024b) The different perspectives you can take on teaching early writing.[https://writing4pleasure.com/2024/03/15/the-different-perspectives-you-can-take-on-teaching-early-writing/]
  • Young, R., Ferguson, F. (2025a) The research on developing childrenโ€™s transcription and compositional skills. https://writing4pleasure.com/the-research-on-developing-childrens-transcription-and-compositional-skills/%5D
  • Young, R., Ferguson, F. (2025b) How to teach writing in the EYFS [https://writing4pleasure.com/how-to-teach-writing-in-the-eyfs/]
  • Zhao, Y., Gerde, H. K., Shu, L., & Gagne, J. R. (2025). Evidence-based instructional support for early writing in preschool and kindergarten: a scoping review. Reading and Writing, 1-27.
  • Zhang, C., Bingham, G. E., & Quinn, M. F. (2017). The associations among preschool childrenโ€™s growth in early reading, executive function, and invented spelling skills. Reading and Writing, 30(8), 1705-1728.
  • Zhang, C., & Bingham, G. E. (2019). Promoting high-leverage writing instruction through an early childhood classroom daily routine (WPI): A professional development model of early writing skills. Early Childhood Research Quarterly, 49, 138-151.
  • Zhang, X. Y., Bingham, G. E., Branumโ€Martin, L., Gerde, H. K., & Bowles, R. P. (2025). Assessing Early Writing in Preschool: Attention to Early Writing Tasks and Component Skills. Reading Research Quarterly, 60(4), e70051.

Further recommended reading

The power of emergent writing

  • How can you teach children to write before they know their letters? [LINK]
  • Debunking edu-myths: โ€˜Emergent writingโ€™ isnโ€™t necessary before teaching children to write [LINK]
  • Debunking the โ€˜bones arenโ€™t readyโ€™ and โ€˜motor skills firstโ€™ myths: What research says about young childrenโ€™s handwriting [LINK]
  • Promoting preschoolersโ€™ emergent writing [LINK]

Living the writerโ€™s life: A daily routine for writing in the EYFS

  • How to teach writing in the EYFS [LINK]
  • Developing motivated and successful writers in the EYFS [LINK]
  • Research-based writing practices specific to the EYFS [LINK]
  • What are children doing as they produce writing? [LINK]

โ€œThis when we โ€˜playโ€™ writingโ€ฆโ€ The pleasure of book-making

  • โ€œThis is when we play writing!โ€: Writing and play in the EYFS [LINK]
  • Drawing first, writing after: A winning strategy for early writers [LINK]
  • Teaching children how to plan their writing in the EYFS and KS1 [LINK]

โ€œMiss, do you like my adult writing?โ€ Teaching encoding strategies

  • Encoding and โ€˜informed spellingsโ€™ [LINK]
  • Teaching encoding [LINK]
  • Underwriting: Should teachers do it? [LINK]
  • Early alphabet instruction [LINK]
  • Early spelling development [LINK]

Writing words, phrases and sentences

  • Two for the price of one: Developing childrenโ€™s word reading and word writing [LINK]
  • Transcription and oral language are key to childrenโ€™s early writing development [LINK]
  • Developing childrenโ€™s talk for writing [LINK]
  • What is writing fluency? [LINK]
  • How do we develop writing fluency? [LINK]
  • Building up to extended writing projects [LINK]
  • The Writing For Pleasure Centreโ€™s sentence-building mini-projects [LINK]

Recommended publications

  • Already Ready: Nurturing Writers in Preschool and Kindergarten by Katie Wood Ray & Matt Glover [LINK]
  • Kid Writing: A Systematic Approach to Phonics, Journals, and Writing Workshop by Eileen Feldgus & Isabell Cardonick [LINK]
  • How Children Learn To Write Words by Rebecca Treiman & Brett Kessler [LINK]
  • Never Too Early To Write by Bea Johnson [LINK]
  • A Teacherโ€™s Guide to Getting Started with Beginning Writers by Katie Wood Ray & Lisa Cleaveland [LINK]
  • What Changes In Writing Can I See? by Marie Clay [LINK]
  • What Did I Write? by Marie Clay [LINK]
  • Handbook On The Science of Early Literacy by Sonia Cabell, Susan Neuman, and Nicole Patton Terry [LINK]
  • Childrenโ€™s Reading And Spelling: Beyond The First Steps by Terezinha Nunes and Peter Bryant [LINK]
  • Literacy Learning For Infants, Toddlers, & Preschoolers by Tanya Wright, Sonia Cabell, Nell Duke & Mariana Souto-Manning [LINK]
  • Understanding and Supporting Young Writers from Birth to 8 by Noella Mackenzie & Janet Scull [LINK]
  • Writing Begins At Home: Preparing Children For Writing Before They Go To School by Marie Clay [LINK]
  • How Very Young Children Explore Writing by Marie Clay [LINK]
  • Gnys At Wrk: A Child Learns to Write and Read by Glenda Bissex [LINK]
  • Adamโ€™s Righting Revolutions: One Childโ€™s Literacy Development From Infancy Through Grade One by Judith Schickedanz [LINK]
  • Family Literacy: Young Children Learning To Read & Write by Denny Taylor [LINK]
  • Childrenโ€™s Language: Connecting Reading, Writing & Talk by Judith Wells Lindfors [LINK]
  • Before Writing by Gunther Kress [LINK]

The Writing For Pleasure Centreโ€™s FREE Handbook Of Research On Teaching Young Writers *NEW 5th Edition*

This free handbook addresses some of the major aspects of teaching writing. The aim is to create an invaluable reference guide for all teachers. We hope to update this handbook every year to take account of the latest research and thinking. We would like this handbook to support teachers in developing sound subject knowledge and exceptional classroom practice. We have tried to make the research as accessible as possible. The handbook includes:

  • Over 1000 research entries covering the major aspects of developing students as writers. 
  • Short abstracts and keyword tags to help teachers find the research they are looking for.
  • An analysis of the analysis and what it is the best performing writing teachers do that makes the difference.
  • A chapter dedicated to each of the 14 principles of world-class writing teaching.
  • Research on the early teaching of writing including compositional development, phonics, encoding, spelling, letter formation and handwriting.
  • Extended entries on major topics such as speaking and listening, reading/writing connection, multilingualism, special educational needs and disabilities, and social and emotional disorders.
  • Focused chapters on the affective needs of student writers, including: self-efficacy (confidence), self-regulation (competence and independence), agency, motivation and writer-identity.
  • Essential literature and suggested reading offered at the end of each chapter.

This handbook is a useful resource for anyone interested in developing world-class writing teaching. Teachers should find what is shared within these pages utterly interesting, informed and helpful.

We have done our best with this fifth edition to cover many aspects of writing teaching in the best way we can. We have provided a variety of research, from different disciplines, and from a variety of perspectives. Weโ€™ve tried to provide a balance between the very latest emerging research and classic studies which contain profound insights and have stood the test of time. If you think some important research entries are missing, then please contact us. You can contact us through our website at: http://www.writing4pleasure.com/contact

New to this fifth edition:

  • Our handbook now comes in two volumes.
    • Volume one covers affective factors in childrenโ€™s writing development. It also summarises findings from meta-analyses, case studies, and organisational reports on world-class writing teaching.
    • Volume two presents the 14 principles of world-class writing teaching.

  • This edition also includes the following updates.
    • Additional reading on theories of writing development.
    • Recommended reading on initial teacher education.
    • Significant additions to the motivation and writer identity chapters.
    • Expanded commentary on writing interventions, supporting children with special educational needs, and developing multilingual writers.
    • A new section on parental/home support for writing
    • A new section on writing and AI, including the use of large language models.
    • Major additions on the importance of a consistent approach to teaching writing in the early years.
    • Further additions on supporting secondary students.
    • Expanded reading on early word writing, letter formation, handwriting, encoding, and spelling.
    • Significant new reading in the personal writing projects chapter.
    • Major additions to the reading and writing connection chapter.

Our subject knowledge series: What writer-teachers need to know. #2 ‘The cognitive process model’ – Linda Flowers & John Hayes

Welcome to our new blog series where BIG WRITING IDEAS ARE SIMPLY EXPLAINED! This series is dedicated to sharing key subject knowledge that can make you a better teacher of writing.

Each month, we will share a new concept or figure with you. Over time, we hope this series can build up your expertise. To follow the series, simply sign up to our newsletter here.

This month, we are looking at Linda Flowers & John Hayes.

๐Ÿ“ฃ The cognitive process model

โ€œThe process of writing is best understood as a set of distinctive thinking processes which writers orchestrate or organise.โ€ โ€“ Linda Flowers


๐Ÿง  The big idea

Flower and Hayes revolutionised how we understand writing – not just as putting words on a page but as a complex thinking process. Their model shows that writing involves multiple, overlapping mental activities like planning, translating ideas into text, and reviewing. Itโ€™s a dynamic, recursive process where writers constantly juggle goals, audience needs, and problem-solving.

In short: Writing isnโ€™t linear โ€“ itโ€™s a loop of thinking, writing, and revising.

The cognitive process model


๐Ÿ›๏ธ In context

YearEvent
1981Flower & Hayes publish their influential paper A Cognitive Process Theory of Writing
1980sโ€“90sTheir model reshapes composition studies and writing instruction
TodayFoundation of cognitive and process-oriented approaches to writing

๐Ÿ” Core concepts

๐ŸŸ  Planning
Deciding what to write, setting goals, and organising ideas.
๐Ÿ—ฃ๏ธ โ€œWhat do I want to say, who do I want to say it to, and how to I want to say it?โ€

๐ŸŸ  Translating
Turning ideas into actual words and sentences.
๐Ÿ—ฃ๏ธ โ€œHow do I express these ideas as words and sentences?โ€

๐ŸŸ  Reviewing
Rereading and revising text to improve clarity and effectiveness.
๐Ÿ—ฃ๏ธ โ€œIs this any good? What needs working on?โ€

๐ŸŸ  Recursive process
Writers donโ€™t move straight through these steps โ€” they loop back and forth, rethink, and revise constantly.

๐ŸŸ  Working memory and long-term goals
Writers juggle immediate sentence choices and their broader writing goals simultaneously.


๐Ÿ‘ค Key figures

๐Ÿ‘จโ€๐Ÿซ Linda Flower & John R. Hayes Cognitive psychologists and composition researchers who mapped out writing as a mental process, shifting teaching toward process and strategy.


๐Ÿ› ๏ธ In the writing classroom

โœ… Teach writing as a flexible, recursive process
โœ… Encourage planning and goal-setting before and during writing
โœ… Understand that revision is a key part of thinking and improving
โœ… Plan class writing projects in a way that manages studentsโ€™ cognitive load and focuses their attention


โš–๏ธ Criticism and debate

๐Ÿ”ธ Some say the model underestimates the social, motivational, and cultural influences on writing.
๐Ÿ”ธ Critics argue itโ€™s focused more on developing the individual writer than developing a social group of writers.
๐Ÿ”ธ Still highly influential in process-based writing pedagogy.


Find out more:

  • A Cognitive Process Theory of Writing by Linda Flower & John R. Hayes [LINK]
  • The Science Of Teaching Primary Writing by Ross Young & Felicity Ferguson [LINK]

Previous entries in the series

  1. โ€˜Writing as a processโ€™ โ€“ Donald Murray [LINK]

Why increasing the frequency and amount of writing time children have is important

Genius takes time.

Many primary classrooms do not give children enough time to write. If we rush writing, we get rushed and disappointing outcomes. Our aim has to be to help children produce the best writing they can.

Amount of writing time

Renowned writing researcher Steve Graham recommends a minimum of one hour each school day for writing. For children in the early years, this should be at least 30 minutes a day (Graham et al. 2012; see also LINK). Around half of this time should be devoted to instruction and delivering feedback. The other half is for children to write.

Writing is thinking. Children can only think at a superficial level if writing time is short. Bereiter & Scardamalia call this ‘knowledge telling’. To transform ideas while writing, students need time to explore and shape their thinking (LINK). Mihaly Csikszentmihalyi studied deep concentration. He calls this flow (LINK). He found that people reach their best thinking when they are given enough time to be absorbed in a task. Short lessons prevent children from reaching this kind of deep focus. They have to stop writing before they’ve really been able to get to work.

Frequency of writing time

Writer-teacher Donald Graves said that children become writers by writing often. He pointed out that writing once or twice a week forces children to start again each time. They never build momentum or the writer’s discipline. He suggested that children should have a writing lesson at least four times a week (Graves 1983). Teresa Creminโ€™s work also shows that time and space help children feel like authors. She found that when teachers write with their class, they come to realise just how much time is needed to craft meaningful and successful texts (Cremin et al. 2017).

In our own study of some of the most effective writing teachers in England (LINK), we found that practitioners who taught writing every day and gave protected time to writing, saw strong outcomes. Their lessons followed a reassuringly consistent daily routine (LINK). This wider research all supports Grahamโ€™s main message: frequent and extended writing lessons improve the quality of children’s writing (Graham & Perin 2007).

Schools that teach writing daily and for an hour are more likely to give children what they need to write their best possible texts. They give them time to generate ideas, plan, think, write, improve, proof-read and publish (Graham, 2019 and LINK).

Quality writing requires time.

References

  • Bereiter, C and Scardamalia, M (1987). The Psychology of Written Composition. Lawrence Erlbaum Associates.
  • Cremin, T, Myhill, D, Eyres, I, Nash, T, Wilson, A and Oliver, L (2017). Teachers as Writers. Arvon and Open University.
  • Csikszentmihalyi, M (1990). Flow: The Psychology of Optimal Experience. Harper and Row.
  • Graham, S (2019). Changing how writing is taught. Review of Research in Education, 43, 277 to 303.
  • Graham, S and Perin, D (2007). Writing Next. Alliance for Excellent Education.
  • Graham, S, Harris, K and Santangelo, T (2012). Teaching Elementary School Students to Be Effective Writers. Institute of Education Sciences.
  • Graves, D (1983). Writing: Teachers and Children at Work. Heinemann.
  • Kellogg, R (1996). A model of working memory in writing. In C Levy and S Ransdell (Eds), The Science of Writing, 57 to 71. Lawrence Erlbaum Associates.
  • Young, R and Ferguson, F (2021). Writing for Pleasure: Theory, Research and Practice. Routledge.

Our subject knowledge series: What writer-teachers need to know. #1 ‘Writing as a process’ – Donald Murray

Welcome to our new blog series where BIG WRITING IDEAS ARE SIMPLY EXPLAINED! This series is dedicated to sharing key subject knowledge that can make you a better teacher of writing.

Each month, we will share a new concept or figure with you. Over time, we hope this series can build up your expertise. To follow the series, simply sign up to our newsletter here.

We are starting off with a real pioneer: Donald Murray. He changed writing instruction by showing that both the finished text and the writerโ€™s ongoing development matter.

Murray taught us to ‘Teach the writer – not just the writing’ and showed that writing is first and foremost a process, which he described as ‘a way of thinking on paper’. He normalised the messiness of creation, reminding teachers that the writing process involves flexibility and that even so-called ‘writerโ€™s block’ is part of writing – a stage of ‘incubation’ where ideas form unseen.

By exploring Murray’s core concepts, you will gain a better approach to feedback, encourage revision and metacognition, and help your pupils develop and value their own unique writing habits.

๐Ÿ”„ Writing as a process

โ€œTeach writing as a process not a productโ€ โ€“ Donald M. Murray


๐Ÿง  The big idea

Donald Murray transformed writing instruction by focusing on the writerโ€™s process, not just the final product. He argued that writing is an act of discovery โ€“ a recursive journey where ideas emerge and evolve through drafting, revising, and reflection.

Rather than correcting studentsโ€™ writing, Murray believed teachers should coach writers, helping them understand how they write and how they can develop their unique voice over time.


๐Ÿ›๏ธ In context

YearEvent
1968Murray wins the Pulitzer Prize for journalism
1972Publishes Teach Writing as a Process Not Product
1970sโ€“80sHis ideas become foundational in writing education

๐Ÿ” Core concepts

๐ŸŸข Writing is a process
Professional and recreational writers donโ€™t write in one straight run โ€“ they plan, explore, rethink, and revise continuously.

๐ŸŸข Discovery through writing
Writers donโ€™t always start with clear ideas โ€“ they discover their ideas through the act of writing itself.

๐ŸŸข The writer at the centre
Students should be treated as apprentice authors, not just students doing assignments. Their interests, voices, and choices matter.

๐ŸŸข Teachers as coaches
Teachers should give feedback as readers, ask questions, and support the writerโ€™s growth over time โ€“ rather than acting as judges and editors alone.


๐Ÿ‘ค Key figure

๐Ÿ‘จโ€๐Ÿซ Donald M. Murray Journalist turned teacher. A key figure in the process writing movement, Murrayโ€™s essays and classroom work reshaped the way writing is taught from primary school through to university.


๐Ÿ› ๏ธ In the writing classroom

โœ… Emphasise idea generation, planning, drafting, and revision
โœ… Encourage reflection and metacognition
โœ… Respond to childrenโ€™s ideas and development, not just their use of grammar and conventions
โœ… Help students develop and value their own writing habits and writing process


โš–๏ธ Criticism and debate

๐Ÿ”ธ Some argue Murray was too student-centered and unstructured
๐Ÿ”ธ Still, Murrayโ€™s influence is visible in nearly every modern writing classroom


๐Ÿ’ฌ  Representative quote

โ€œTeach the writer – not just the writingโ€


Find out more:

  • A Writer Reforms (The Teaching Of Writing) Donald Murray & The Writing Process Movement, 1963-187 by Michael J. Michaud [LINK]
  • Teach Writing As A Process Not Product by Donald Murray [LINK]
  • Write to Learn by Donald Murrayย 
  • A Writer Teaches Writing by Donald Murray [LINK]
  • The Essential Don Murray: Lessons from Americaโ€™s Greatest Writing Teacher by Thomas Newkirk & Lisa C. Miller [LINK]

*NEW ONLINE TRAINING ANNOUNCEMENT* Improving childrenโ€™s reading AND writing: Connecting research and practice

Improving childrenโ€™s reading AND writing: Connecting research and practice

Four online sessions focusing on children’s reading and writing will take place in November and December from 4pm – 5pm. These sessions are designed for UK primary school teachers, primary school leaders, literacy leads and education consultants. 

ThE sessions are designed to provide research insights to support childrenโ€™s reading and writing acquisition and development. With a focus on supporting both reading and writing skill, all those attending will have greater access and insight into contemporary research to inform their classroom practice.

Participants will gain insight into implications for practice, a curated collection of key open access research articles and, if all four sessions are attended, a certificate of completion.

Sessions can be booked individually for ยฃ15 each or all four sessions can be booked at a discounted price of ยฃ50.

Sessions overview

Session 1: Learning to read – Thursday 20 November 2025, 16:00-17:00pm 

Delivered by Professor Sarah McGeown

This session highlights the core skills underpinning reading development, research-informed practice to support childrenโ€™s word reading, and the importance of nurturing an early love and interest in books, words, and stories. 

Session 2: Reading motivation and engagement – Thursday 27 November 2025, 16:00-17:00pm 

This session provides insight into the importance of reading motivation and engagement throughout primary school, research-informed principles to support reading engagement, and the reading, language, social and emotional benefits accrued from reading.

Session 3: Learning to write – Thursday 4 December 2025, 16:00-17:00pm 

Delivered by Ross Young

This session explores key aspects of writing development, research-informed strategies to support children as apprentice writers, and the importance of nurturing a lifelong love of writing.

Session 4: Writing motivation and engagement – Thursday 11 December 2025, 16:00-17:00pm 

This session provides insight into the importance of writing motivation and engagement throughout primary school, research-informed principles to support childrenโ€™s engagement with writing, and the social, emotional, and expressive benefits gained through the experience of being a young writer.

Biographies

Professor Sarah McGeown is Director of the University of Edinburghโ€™s Literacy Lab. She has published widely in academic and professional journals, with research focusing on early reading acquisition and development to motivation and engagement in reading. She is an advocate for research-practice partners and closing the gap between research and practice to improve childrenโ€™s reading experiences and outcomes. 

Ross Young is a former primary school teacher and co-founder of The Writing for Pleasure Centre. His work focuses on translating writing research into effective classroom practice, and he regularly collaborates with teachers and children in schools. He has written several books on teaching writing and leads professional development through organisations such as the UKLA. Ross is currently a PhD researcher at the University of Edinburghโ€™s Literacy Lab, studying childrenโ€™s writing lives in partnership with the National Literacy Trust. 

*NEW TRAINING* UKLA Student and Teacher Conference: Writing for Pleasure

  • Date: 15 November 2025
  • Time: 09:30ย –ย 12:30
  • Location: Online, via Zoom

The UKLA annual student and teacher online conference (2025) explores the notion of the teaching of writing for pleasure. Through the conference delegates will, through three expert-led sessions, develop their subject knowledge and gain practical strategies and lesson ideas to teach writing for pleasure confidently in the classroom. There will be a particular focus on writing for pleasure with SEND pupils.

Designed for both student teachers and teachers, this conference will prove to be invaluable professional development.

Through the day there will be interactive sessions from:

  1. Ross Young โ€“ founder of the Writing for Pleasure Centreย The 14 Principles which underpin Writing for Pleasure
  2. Billy Allgood โ€“ย  SENCO @ Gallions Primary Schoolย The benefits of writing for pleasure for SEND pupils
  3. Felicity Ferguson โ€“ founder of the Writing for Pleasure Centreย How to develop yourself as an excellent teacher of writing in whatever contextย you find yourself in.ย 

Booking open now:

  • Students ยฃ5
  • UKLA members ยฃ10
  • Non-members ยฃ20

Tickets are available to purchase here: https://www.trybooking.com/uk/events/landing/95913