Fostering writer identity & belonging in the classroom

A student’s sense of belonging and identity as a writer profoundly influences their motivation. Previous writing experiences, school culture, and classroom practices shape their writerly habits and self-image.

When students believe and behave as writers, they begin to identify as writers. It’s crucial for students to feel they belong in the writing community of the classroom for equity and motivation reasons.

How can we ensure students feel like they belong in the writing classroom?

1. Signal status

Whole-class writing projects unite students and writer-teachers around a common purpose, fostering a sense of teamwork and achievement. Every student’s contribution is valued and celebrated.

2. Group identity

Create a class publishing house with a shared mission statement, emphasising collaboration and collective success.

3. Unifying purpose

Involve children in setting publishing and product goals for class writing projects collaboratively.

4. Generate writing ideas

Let children bring their unique identities into the project by supporting them to generate their own writing ideas.

The double helix theory for teaching writing and reading

By Dominic Wyse and Charlotte Hacking

Original article: LINK

This paper introduces a new theory and model for teaching writing and reading.

The topic of how young children should be taught to write and read has long been a subject of extensive research, media attention, and educational policy focus worldwide. While there’s some agreement on the important elements for learning to write, there’s less agreement on how best to teach these elements [LINK and LINK]. Existing models often explain how children might learn to write but don’t always provide clear guidance on teaching methods [see LINK and LINK for more].

The Simple View of Writing suggests that effective teaching must address multiple components of writing, including transcription (spelling and handwriting) and composition (ideas and organisation). Another writing model, developed by Hayes in 2006, includes not only the cognitive aspects of writing but also the social environment and the writer’s motivation.

While these models highlight important aspects of learning to write, they have limitations for teaching. For example, some models wrongly assume that reading and writing are unrelated (though not the Interactive Dynamic Literacy Model!).

The historical focus on teaching reading over writing might be why their interconnections have too often been overlooked [LINK for more details on how writing and reading connect in the classroom].

The double helix of reading and writing: Key concepts explained

The Double Helix Model emphasises how, when we are teaching phonics, reading or writing, we can always be making connections. These connections help children understand how writing and reading support each other, enhancing their learning experiences as a result. For example:

Children’s experiences outside of education systems

Babies first encounter language through sounds, often from their parents and caregivers. These early sound interactions eventually help children understand speech. Later, they realise that these sounds can be turned into written language. At the same time, children are interacting with objects in their environment and begin making marks with tools. These marks begin to carry meaning – meanings that are to be shared with others [LINK, LINK and LINK for more].

Language and languages

Learning to write and read is closely tied to oral language [LINK]. Many children speak more than one language or are exposed to multiple languages in their communities. This multilingual exposure can be beneficial. The growing number of multilingual children in schools emphasises the importance of acknowledging children’s language skills in the writing classroom [see our book A Teacher’s Guide To Writing With Multilingual Children for more details].

Meaning and composition

The primary purpose of writing is to make and share meaning with ourselves and others. Influential models assert that without composition (children making/composing/authoring texts) writing isn’t occurring [LINK].

Making and sharing meaning is at the heart of both writing and reading. Understanding and teaching the processes involved in creating and interpreting meaning are crucial to children’s literacy development.

Writing and reading as connected processes

The teaching of reading continues to receive more attention than the teaching of writing in research, policy, and media. However, recent evidence has shown that teaching writing can improve children’s reading and vice versa. Systematic reviews and meta-analyses have provided strong evidence for this connection. For more details, see LINK and LINK.

Increasing students’ interactions with texts in the writing classroom – whether by reading, analysing, or observing – boosts both their reading and writing abilities. This interconnected approach suggests that inviting children to write about their reading in reading lessons and having children read and discuss a variety of high-quality mentor texts in the writing classroom can lead to better literacy outcomes for all students. For more on reading in the writing classroom, click here.

Phonological awareness, morphemic awareness, and learning about the alphabetic code

Learning to encode: Young children start learning to write conventionally by understanding how sounds (phonemes) can be represented as letters on the page. This process, known as encoding, begins with recognising the sounds in spoken language. For more on teaching children how to encode, see our book Getting Children Up & Running As Writers.

Contextualised phonics teaching: With encoding in mind, effective phonics instruction should always be looking to make connections with writing, rather than just being taught in isolation. Research shows that making connections between phonics and writing can bring about many reading and writing benefits (LINK and LINK).

Complexity of English orthography: However, English spelling is complex. After children grasp basic phoneme-to-letter relationships, spelling instruction should also focus on orthography and morphology (see LINK and LINK for more on this).

Social and cultural contexts

You’ll notice the top and bottom sections of the model represent the child’s language and environment(s). On how this influences the writing classroom, consider reading our Writing Realities framework.

Central role of motivation and meaning

The central part of the model highlights the importance of motivation, meaning, comprehension, and composition. This central focus drives development in all other areas. Effective teaching recognises that children need to be motivated to write. For more on motivating young writers, see our book Writing For Pleasure: Theory, Research & Practice.

Organic learning

Finally, the model’s design, inspired by the double helix of DNA, symbolises the living nature of learning to write. Wyse & Hacking remind us all that literacy development involves the cognitive, emotive, linguistic and the social. The child and their literacy environment are made central to their model. They highlight the importance of motivation, curiosity and wanting to make and share meanings with, and for, others.

Finally, let’s not forget that children bring a whole suitcase full of knowledge and experiences to our writing classrooms, all of which can profitably shape their reading and writing journey. This is a beautiful thing.

Obtain quality writing by giving children some agency

Studies suggest that when students are moved to write for intrinsic reasons and given some autonomy, the quality of their writing can improve. Conversely, writing mainly for teacher-controlled reasons may not always benefit students’ writing performance.

To provide a comprehensive writerly apprenticeship, schools should certainly prioritise autonomy-supporting writing projects. Here’s how…

Intrinsic projects with autonomy

Students generate their own writing ideas for personal writing projects based on their knowledge, interests, and passions. They decide whether and with whom to share their writing.

Extrinsic projects with autonomy

Students generate ideas within the class project’s parameters based on their interests. They also help choose their audience.

Extrinsic projects but with some autonomy

Students generate ideas within the class project’s parameters while understanding that their writing will be assessed by their teacher.

Let’s empower students with autonomy and enhance their writing development!

Mobilising children’s motives for writing

The word ‘motive’ derives from the Latin movere meaning ‘to move’. As teachers, we must help students see the value and purpose in the class writing projects we plan for them. They need to be moved to write.

There are various reasons why students are moved to write and we can build our writing curriculum around these reasons. They include:

  • Teach others by sharing experience and knowledge, or teach themselves by writing to learn.
  • Persuade or influence others by sharing thoughts and opinions.
  • Entertain themselves or others by sharing stories – both real and imagined.
  • Paint with words to show artistry- the ability to see things differently, or to simply play and have fun
  • Reflect to better understand themselves, their place in the world, or their response to a new subject
  • Make a record of something to look back on in the future

To learn more – [Why Children Are Moved To Write]

By planning class writing projects around these situations for writing, we are in a position to invite students to choose what they would like to write about with those parameters. There is a strong cognitive and motivational benefit in doing this.

By planning class writing projects around the reasons we are moved to write, before inviting students to choose what they would like to write about within those reasons, we not only spark their situational interest but we also benefit from the fact we have sparked their personal interests too. Both of these have a good track record of improving children’s writing motivation. Writing motivation has clear links to improved writing achievement.

Situational Interest + Personal Interest = Strong Writing Motivation

Let’s inspire our students to find their voice and unleash their creativity through purposeful writing projects!

Connecting with your writing teaching, your students, and your colleagues

To feel connected to your teaching, students, and colleagues, embrace being a writer-teacher. Here’s how:

1. Model the writer’s life to your students

2. Provide mentor texts to help you teach writing effectively and authentically

3. Connect with students and invite them to generate their own writing ideas

4. Earn credibility and trust by writing yourself

5. Collaborate with colleagues in implementing evidence-based practices

6. Establish a Teachers’ Writing Group

Go to the National Writing Project for ongoing professional development and support.

Together, let’s elevate our writing teaching and empower our students to become confident and connected writers!

    Promoting peer approval in the writing classroom

    Peer approval can play a crucial role in motivating students and reinforcing their writing efforts. Here are some strategies to amplify peer approval in the classroom:

    1. Author’s Chair

    Allocate daily time for students to share their writing with the class. Establish a routine for these sessions, allowing each student to showcase their work and receive feedback from peers.

    Learn more – [A Guide To Class Sharing & Author’s Chair]

    2. Ritual Recognition

    Celebrate exemplary use of writerly techniques by students. When they apply a craft move modelled by the teacher, pause the class to highlight and discuss it, reinforce the idea that all students are capable of similar success too.

    Learn more – [Getting Writing Instruction Right]

    By creating opportunities for peer recognition and feedback, you can foster a supportive writing community where students feel valued and encouraged in their writing endeavors.

    Embracing the role of a writer-teacher

    Being a writer-teacher is crucial for fostering student success in writing. Here’s some tips on how teachers can embody this role effectively.

    Get Your Writing Instruction Right

    Students are motivated to emulate the norms and techniques of other writers, especially their teacher! By imitating their writer-teacher, students increase their feelings of success and reduce their fear of failure.

    Provide Realistic Mentor Texts

    Create mentor texts that align with the goals of the writing project. Give students time to engage with these texts, discussing and analysing them together.

    Model All The Writing Processes

    Demonstrate the writing process, from reading as a writer to publishing finished manuscripts into your class library. Model various aspects such as how you generate ideas, plan, draft, revise, proofread, and give feedback to friends.

    Encourage Discussion and Feedback

    Model how to discuss and give constructive feedback to peers in the classroom. By embodying the writer’s life, teachers can empower students to navigate the writing process with confidence too.

    How we can make writing feel less effortful for children

    Motivation in writing isn’t just about valuing one’s own work and experiencing success- it also involves considering the perceived cost and effort too. If writing feels too laborious, children often don’t engage.

    Reduce Feelings Of Cost

    We must address the balance between motivation and effort in the writing projects we plan. Making our class writing projects feel less daunting can reduce the perceived cost and increase motivation. One way of doing this is to set process goals.

    Focus On The “Hows”

    Writing is inherently effortful, but we can alleviate this by focusing on the “how” of writing—creating an environment where learning to write feels manageable while still challenging students intellectually. One way of doing this is to plan our writing units effectively.

    Have High Expectations For Writing Instruction

    The distinction between the “what” and the “how” of writing lessons allows us to maintain high expectations for content while making the learning process more accessible. The best way of doing this is by using the principles of SRSD instruction.

    Develop In Children A Writer’s Discipline

    Establishing a consistent routine and culture for developing writers within your school is key to reducing the perceived cost of effort and fostering a positive attitude towards writing too.

    Build A Community Of Writers

    By creating an environment where writing feels manageable and rewarding, we empower students to engage with writing enthusiastically and persistently.

    Free Information Text Unit Plan

    I don’t know what I think until I write it down  – Joan Didion

    Why write information texts?

    Children accumulate lots of information every single day. It is vital to their development as writers that they are given the opportunity to share their knowledge and expertise with others and to experiment with the language and organisation of non-fiction genres (see this article for more details).

    This class writing project will show children that they can be knowledgeable about a subject and that sharing this knowledge is an enjoyable, social and satisfying thing to do. You and your class will begin to appreciate the pockets of ‘communities’ that make up a writing classroom – with children talking and sharing with each other their passions, interests and aspects of their lives (Young et al. 2022). It is important for children to understand the power of writing as information giving but also to experience it as a social resource.

    Evidence-based practices which give children writing confidence

    It’s very difficult to write for pleasure if you feel like you’re not very good at it.

    Confidence is one of the biggest predictors of children’s writing achievement. Yet, writing is one of the most complex and effortful things we ask children to do while they are at school. What practices can we use in the classroom to make them feel confident and successful?

    Well, there are a number of strategies we can employ:

    1. Study Mentor Texts

    Expose students to texts that actually realistically match the type of writing they are being asked to write for themselves. This provides them with examples to emulate and learn from. This builds up their writerly confidence.

    2. Establish Product Goals Together

    Collaborate with students to identify the techniques necessary for crafting high-quality texts. Make a commitment to teach these techniques, fostering a sense of ownership and confidence among students.

    3. Model Craft Moves

    Demonstrate how to use a craft move before inviting students to use that very same craft move for themselves. Modelling provides clarity and confidence, helping students grasp concepts more effectively.

    4. Set Process Goals

    Encourage students to focus on a specific goal during writing lessons. By breaking down the writing processes into small manageable chunks, students can see themselves making progress every day and this breeds confidence.

    5. Teach The Writing Processes

    Design writing projects that encompass all stages of the writing process, from generating ideas to publishing. Allocate time for instruction on each stage, allowing students to develop comprehensive writing skills.

    Learn more here – [The Components Of An Effective Writing Unit]

    6. Provide Verbal Feedback

    Provide students with personalised feedback on their writing, both from their teacher and their peers. Effective pupil-conferencing reinforces successes and nudges students to apply feedback quickly and confidently.

    Learn more here – [Pupil-Conferencing In The Writing Classroom: Powerful Feedback & Responsive Teaching That Changes Writers]