In some early classrooms, children compose sentences aloud while an adult writes them down. The intention is usually a good one. Teachers recognise that handwriting and spelling can place heavy demands on young writers and they want children to focus on their ideas rather than struggle with transcription.
However, this practice can unintentionally create a powerful misconception: that composing aloud is an appropriate substitute for writing.
When adult scribing becomes the main way children โwriteโ, children may learn that writing is something adults do for them rather than something they are utterly capable of doing for themselves.
This is problematic because writing development depends on children practising both composition and transcription together.ยน Fortunately, early writing strategies such as emergent writing and โkid writingโ allow children to do exactly that from the very beginning of Nursery.ยฒ
What oral composition gets right
Oral rehearsal is a powerful tool for young writers. Saying your texts, sentences, phrases and words before you transcribe them to paper helps children:
Organise their ideas.
Gauge peopleโs reactions to their ideas before they commit them to paper.
Hear and adjust their sentence structures.
Try out vocabulary choices.
Teachers should model oral rehearsal strategies regularly in writing lessons and make it part and parcel of childrenโs writing process.ยณ For example:
โLet me look at my drawing. Ah, yes. I want to write about Buster, my dog, running to the front door to see me. Let me say the sentence first: Buster ran to the door to see me.โ
This kind of modelling shows children that writers plan language before writing it down.
Talk also plays a crucial role in writing development. When children discuss ideas, characters and events, they practice the language structures that later appear in written texts. Opportunities to talk about texts at a discourse level (whole ideas, narratives and information) are strongly associated with later writing success.โด
The problem arises when oral composition replaces writing rather than supports it.
When talking replaces writing
If children rarely attempt to record their own ideas on paper, they lose opportunities to develop two essential abilities:
Transcription โ forming letters and spelling words on the page.
Composition โ shaping ideas into written language.
We know writing develops through the interaction of composition and transcription.ยน
When adults do the writing, that learning opportunity disappears. Children may still generate ideas orally but they do not practice:
Segmenting sounds.
Choosing letters.
Shaping sentences on the page.
Managing the physical act of writing.
Over time, this can lead to slower development in both transcription and composition.โต
What emergent writing makes possible
Emergent writing recognises an important developmental truth: Children can communicate meaning in writing long before they master conventional spelling and handwriting.
Young children often combine several forms of representation in a single piece of writing:
Drawings.
Marks and shapes.
Letter-like forms.
Conventional letters and words.
Together, these elements carry meaning. Typically, the drawing represents the main idea, while the marks and letters represent specific words or phrases.
The resulting text may not resemble conventional adult writing but it is still genuine composition. The child is deciding:
What to say.
How best to represent it on paper.
This allows children to begin composing texts from the very start of Nursery or Reception.ยฒ
The role of โkid writingโ
Once phonics and encoding instruction are introduced (in earnest), children should transition to using โkid writingโ. This is where children write their words and phrases using a mixture of:
Conventional spelling for words they do know.
โInformed spellingsโ based on their phonics knowledge.
A line for the sounds or words they donโt know how to spell yet.
The typical process would look like this:
The child looks at their drawing.
The child says their sentence aloud.
The child transcribes what they know to paper.
The teacher undertakes underwritingto provide the conventional adult spellings underneath.
โKid writingโ
This approach achieves two goals. The child controls the composition and attempts the spelling. The teacher still exposes the child to correct written forms.
Why independent writing matters
When children commit their own writing ideas to paper, several important learning processes occur:
They practice encoding. Each informed spelling requires children to segment sounds and select letters. This strengthens their phoneme-grapheme knowledge.โต
They practice sentence construction. Children must decide how to express their ideas in written language. This develops their early compositional skills.โถ
They see themselves as writers. Ownership matters. When children produce their own texts, they begin to view writing as something they can do independently – without constant adult supervision or intervention.โท
They write more. Children who are allowed to control their compositional process produce plenty of texts. Increased writing frequency and volume will invariably lead to faster compositional (and transcriptional) development.
What happens when adult scribing dominates
When early writing experiences are replaced by a heavy reliance on adult scribes and oral composition, several limitations will emerge. Children learn that:
Writing requires adult assistance.
Writing is a performance for the teacher rather than an independent act.
At the same time:
Opportunities to practice encoding decrease.
Writing frequency and volume drop.
The result is slower progress in both transcription and composition.ยน
What effective early writing instruction looks like
Strong early writing classrooms combine several elements:โต
Daily phonics instruction.
Daily handwriting instruction and practice.
Spelling instruction.
Loads of meaningful, motivating and engaging writing experiences.
Within these classrooms:
Children learn to talk about their ideas.
Drawings are accepted as supporting children to transfer their ideas from their mind onto paper in preparation for transcribing.
Emergent writing, โkid writingโ and informed spellings are used as temporary scaffolds while transcription is developing.
Teachers engage in underwriting alongside their pupils.
In this environment, oral rehearsal supports writing rather than replaces it. Children speak their ideas, draw their ideas, and then write them. And most importantly, they learn from the very beginning that writing is something they can do themselves.โท
Children learn a lot about writing by writingโฆ
References
The research on developing childrenโs transcription and compositional skills [LINK]; Visualising The Science Of Writing: The Writing Map Explained [LINK]
Debunking edu-myths: โEmergent writingโ isnโt necessary before teaching children to write [LINK]; Supporting childrenโs early word writing [LINK]; Debunking edu-myths: Children should only write words they can spell [LINK]
Kim, Y. S. G., Park, C., & Park, Y. (2015). Dimensions of discourse level oral language skills and their relation to reading comprehension and written composition: An exploratory study. Reading and Writing, 28(5), 633-654. [LINK]
Improving childrenโs reading AND writing: Connecting research and practice
Five online sessions focusing on children’s reading and writing will take place across April-June from 4pm – 5pm. These sessions are designed forย UK primary school teachers, primary school leaders, literacy leads and education consultants.ย
The sessions are designed to provide research insights to support childrenโs reading and writing acquisition and development. With a focus on supporting both reading and writing skill, all those attending will have greater access and insight into contemporary research to inform their classroom practice.
Participants will gain insight into implications for practice, a curated collection of key open access research articles and, if all sessions are attended, a certificate of completion.
Sessions can be booked individually for ยฃ15 each or all four sessions can be booked at a discounted price of ยฃ50.
Sessions overview
Free webinar:
Supporting reading for pleasure in primary schools: Examining the evidence and children’s perspectives – Tuesday 14 April, 16:00- 17:00pm
Delivered by Professor Sarah McGeown
Supporting children to reading for pleasure is a key priority in this National Year of Reading, but which โreading for pleasureโ practices work? This session will explore common practices, from independent reading and teacher read-aloud, to book-talk, reading diaries, annual celebrations, and the use of rewards. It will examine the research evidence, and childrenโs perspectives of these practices, to provide teachers with useful insights to support their classroom practice.
Four paid online sessions:
Session 1: Learning to read – Thursday 30 April 2026, 16:00-17:00pm
Delivered by Professor Sarah McGeown
This session highlights the core skills underpinning reading development, research-informed practice to support childrenโs word reading, and the importance of nurturing an early love and interest in books, words, and stories.
Session 2: Reading motivation and engagement – Thursday 14 May 2026, 16:00-17:00pm
Delivered by Professor Sarah McGeown
This session provides insight into the importance of reading motivation and engagement throughout primary school, research-informed principles to support reading engagement, and the reading, language, social and emotional benefits accrued from reading.
Session 3: Learning to write – Monday 1 June 2026, 16:00-17:00pm
Delivered by Ross Young
This session explores key aspects of writing development, research-informed strategies to support children as apprentice writers, and the importance of nurturing a lifelong love of writing.
Session 4: Writing motivation and engagement – Monday 22 June 2026, 16:00-17:00pm
Delivered by Ross Young
This session provides insight into the importance of writing motivation and engagement throughout primary school, research-informed principles to support childrenโs engagement with writing, and the social, emotional, and expressive benefits gained through the experience of being a young writer.ย
Biographies
Professor Sarah McGeown is Director of the University of Edinburghโs Literacy Lab. She has published widely in academic and professional journals, with research focusing on early reading acquisition and development to motivation and engagement in reading. She is an advocate for research-practice partners and closing the gap between research and practice to improve childrenโs reading experiences and outcomes.
Ross Young is a former primary school teacher and co-founder of The Writing for Pleasure Centre. His work focuses on translating writing research into effective classroom practice, and he regularly collaborates with teachers and children in schools. He has written several books on teaching writing and leads professional development through organisations such as the UKLA. Ross is currently a PhD researcher at the University of Edinburghโs Literacy Lab, studying childrenโs writing lives in partnership with the National Literacy Trust.
Teachers are often warned that transcription is a cognitive bottleneck in writing. The argument goes like this: because young writers must devote so much attention to letter formation and spelling, asking them to compose their own writing creates cognitive overload.
There is truth in this claim. We want children to master transcription as a matter of priority. While children are still learning transcription skills such as handwriting and spelling, these processes can place heavy demands on childrenโs working memory. When this happens, childrenโs compositions will not be as good as they could be. This is one reason why explicit instruction in handwriting, phonics and spelling is so important.
However, a misunderstanding often follows from this insight. Some educators conclude that children should not compose their own texts until transcription has reached a certain level of mastery. In other words, transcription becomes a necessary prerequisite for composition.
This conclusion is not supported by writing research.ยน
Writing development does not happen in a strict sequence
This confusion often arises when ideas from reading theory are applied directly to writing. The Simple View of Reading explains that reading comprehension depends on two components: decoding and language comprehension. But this model does not prescribe how writing should be taught.
Research on writing points to a different relationship between transcription and composition. In the Simple View of Writing, transcription and composition are understood as interacting processes that develop alongside each other over time.
While weak transcription can certainly constrain composition, the solution is not to delay composing. Instead, research suggests that both capacities should be developed concurrently.ยน
Children improve their transcription not only through explicit instruction but also through frequent and meaningful writing opportunities.ยฒ
When transcription becomes a barrier
Ironically, we can create the very bottleneck we are trying to avoid! Transcription becomes a barrier when educationalists expect children to write like adults. When this happens, children receive an implicit message:
Only write words you can spell correctly
Limit your vocabulary use
Keep your ideas simple
The result is predictable. Writing becomes constrained and demotivating.
How young children already solve this bottleneck problem
Studies have shown that young writers actually develop strategies that allow them to express ideas before their transcription is fully fluent. These include:
Emergent writing. Young children may combine drawings, marks, letter-like forms and some conventional letters to communicate meaning.ยณ
Informed spelling. Children attempt spellings based on their ever developing understanding of sounds in words (for example, writing TRNSRS for tyrannosaurus).โด
โKid writingโ. A mixture of lines and conventional spelling within the same text.โต
All these strategies are rich with evidence of learning.
Research shows that childrenโs early spellings often reflect their developing phonological and morphological knowledge. When teachers invite children to attempt spellings in this way, they gain valuable insight into what children currently understand about sounds, letters, morphology and orthography.
Incidentally, children who are encouraged to write using these strategies go on to become stronger readers and writers than those who donโt.โด
If you donโt want transcription to become a bottleneck for your pupils, donโt allow it to be.
Why allowing these strategies matters
When classrooms allow these forms of early writing, several important things happen.
ALL children can begin composing immediately. A child who wants to write about a tyrannosaurus does not need to know the conventional spelling before attempting the word. Every child can begin their writing journey from their very first day of Nursery.
Children write more, and more happily. More writing means more opportunities to connect sounds with letters and to apply their transcriptional knowledge in meaningful contexts.
Childrenโs ideas no longer need be constrained by their transcription. Children can experiment with ambitious vocabulary and compositions without fear. they can get it all down on paper.
Transcription continues to improve. Through explicit instruction in phonics, handwriting and spelling and frequent writing opportunities, children continue their journey towards mastering transcription early in their school lives.โดย
In other words, transcription develops by:
Providing explicit instruction in letter formation, handwriting, phonics and spelling.โถ
Teaching children strategies for encoding words, including writing โinformed spellingsโ.
Using emergent and โkid writingโ as temporary scaffolds while transcription is being developed (in earnest).
Planning loads of meaningful, motivating and engaging writing opportunities so children can compose their own texts.
When these elements are in place, transcription does not prevent children from becoming writers. Instead, it develops alongside their growing joy and ability to express their ideas.
References
The research on developing childrenโs transcription and compositional skills [LINK]
Visualising The Science Of Writing: The Writing Map Explained [LINK]
Debunking edu-myths: โEmergent writingโ isnโt necessary before teaching children to write [LINK]
How To Teach Poetry Writing In KS1, authored by Felicity Ferguson and Ross Young, is a comprehensive guide designed to transform the way poetry is taught in your classroom.
This eBook provides a practical, step-by-step roadmap for teachers to lead children through the entire journey of creating their own poetry anthologies. The guide encourages a pedagogy of structure, freedom and playfulness, allowing pupils to “live the poetโs life” by writing about what they are most passionate and knowledgeable about.
Key features include:
Complete project plans: Systematic, colour-coded guides for carrying out poetry units from initial idea generation to the final publication.
A wealth of lessons: Short, direct instructional sessions covering poetic โcraft movesโ such as alliteration, onomatopoeia, personification, and sensory detail.
Guidance on selecting and using mentor texts: Strategies for using commercial books and teacher-written poems to inspire young writers.
Support for every writer: Specific, actionable advice for supporting pupils with SEND pupils and English language learners, ensuring the writing community is inclusive.
Whether you are a confident writer-teacher, or someone who has previously struggled with teaching poetry, this guide offers the tools and inspiration needed to create a vibrant community of young poets who write with pleasure and purpose.
Hi Ross and Phil. I recently went to some training and it was recommended that we should only be modelling and asking children to write sentences that are at their current phonics level.
I understand the place for this in phonics and spelling lessons but it would surely limit their development in writing lessons? What does the research say?
The myth
Children should only write words they can spell conventionally. If they cannot spell a word correctly, they should not attempt it. Writing should be restricted to their current phonics level. This is the best way to develop childrenโs early word writing.
Unfortunately, research would suggest that the opposite is true. The idea that children must only write what they can spell is an outdated pedagogy that prioritises neatness of books over childrenโs learning.
Where this myth comes from
Some early literacy programmes erroneously adopt a reading-first orientation. In this view, writing should only be used in the service of learning phonics. This orientation is not supported by research evidence [LINK].
Restricting childrenโs oral language development is a bad idea
Before discussing anything else, this narrow focus restricts childrenโs oral language development. Children use fewer words and arenโt obliged to talk at the โdiscourse levelโ. This is a problem. Studies have shown that discourse-level talk is possibly the single strongest predictor of later writing success [LINK].
Writing is more than transcription
When we limit children to words they can spell, we aren’t teaching them to write, we are teaching them to copy. As the DfEโs Writing Framework makes clear, transcription is not writing. Research on early writing development shows that transcription and composition should be developed together [LINK, LINK].
The youngest of children can already write
Children begin writing before they can spell words. First, we have their emergent writing which includes marks, scribbles and letter strings [LINK]. Then we have โkid writingโ. This is a mixture of marks and conventional โadult writingโ [LINK]. Children use marks when they donโt know and โadult writingโ when they do know.
Take this example.
This childโs writing shows their developing understanding of spelling. They are showing us that they do know:
How to write initial and some final consonant sounds
They can write phonetically plausible spellings like D-nosaw
They are conscientious in identifying and copying the spellings of high-frequency words from the word wall.
The child has the confidence to use the vocabulary they really want to use (dinosaur) rather than โplaying it safeโ by using a simpler word (cat).
What they are showing us they donโt know yet:
They struggle with vowels in more complex words, using their โkid writingโ for the missing sounds.
Hereโs another example:
They are showing us that they do know:
How to represent initial consonant blends (e.g. sn- sp-).
How to hear and record some dominant consonant sounds within words (e.g. -gg).
How to correctly spell some high-frequency words such as Tom, up, on, and his.
That they will happily attempt any vocabulary that they really want to use. For example, snuggle and special. They do this rather than simplifying their ideas.
This child is demonstrating strong phonemic awareness. They are segmenting words and making deliberate decisions about what โadult writingโ they can confidently represent. The use of โkid writingโ for unknown sounds shows strategic problem-solving. They are not abandoning the word; they are marking the gap in their knowledge and moving on. This helps them maintain their compositional flow while letting their teacher know what they still need to work on.
Hereโs what they are showing us they donโt know yet:
How to represent vowels within more complex syllables.
How to map less salient internal sounds in polysyllabic words.
Conventional spellings for digraphs and suffixes within longer words.
Overall, these pieces reflect children who see themselves as writers. They hold composition and word choice in high regard and use temporary spelling strategies to ensure that their ideas are fully expressed.
If weโd simply asked these children to write down words we already knew they could spell, we would have learnt very little. This โkid writingโ is not a collection of random errors. It reflects a childโs ever growing phonological awareness and letter knowledge. This is how early word writing is developed [LINK].
Importantly for us as teachers, childrenโs โkid writingโ (also known as using โsound spellingsโ or โinformed spellingsโ) shows us what our pupils do know about phoneme-grapheme correspondence and what they donโt know yet. This can then inform our teaching.
Encouraging children to use โinformed spellingsโ is actually best practice
Research shows that encouraging children to write โinformed spellingsโ strengthens their phonemic awareness and orthographic mapping and actually helps them learn conventional spelling faster than if they simply copied out a word they already know how to spell. Children who are encouraged to engage in writing โinformed spellingsโ make greater gains in reading and spelling than those who are denied the opportunity [LINK, LINK, LINK].
Spelling โerrorsโ donโt turn into bad habits
The misconception that โmistakesโ form bad habits also underpins this edu-myth. This fear is unsupported [LINK]. Spelling is developmental. Just as a child crawls before they walk, they use โinformed spellingsโ before learning conventional ones. As children continue to receive explicit phonics and spelling instruction, and participate in lots of meaningful reading and writing experiences, their spelling develops [LINK]. For example:
From โSupporting childrenโs early word writingโ [LINK]
Childrenโs use of sound spellings is an opportunity for responsive teaching
Sound spellings show childrenโs current understanding. When teachers validate a childโs attempt and then provide the conventional spelling through underwriting, this dual attention supports childrenโs transcription and compositional development in a healthy way.
Vocabulary use matters
Vocabulary use is an important part of childrenโs writing development [LINK]. When children are told they should only write words they can spell, their expressive language and โwriting worldโ shrinks. To cap a childโs intellectual expression is to restrict them to the level of a toddler. They will use fewer words. They tell fewer detailed stories. They are denied the opportunity to share exactly what they mean.
How should I model my own writing as a writer-teacher?
When you model writing, aim to write at your pupilsโ current level or slightly beyond it. Your role is to model delight in composition while strengthening childrenโs spelling knowledge and encoding strategies.
If a word contains phoneme-grapheme correspondence the class has not been taught, you have three options. Choose based on your purpose at that moment.
Model how to use the โkid writingโ strategy Say something like: โWhen I was your age, I wouldnโt have known that bit of โadult writingโ yet so I would have used my โkid writingโ. When this happens to you, you can use this strategy too.โ This shows children that: writers attempt ambitious words, it is acceptable to use โkid writingโ for unknown sounds, and spelling knowledge grows over time.
Teach it Stop and teach it but keep it tight: (1) say the phoneme or morpheme, (2) show the grapheme and (3) link it to any prior learning. Then continue writing.
Use the spelling and move on Sometimes you simply write the conventional spelling and carry on without comment or fuss.
Each option protects compositional flow. Each option strengthens childrenโs understanding of encoding. Most importantly, none of them restrict or otherwise undermine childrenโs ability to write for themselves.
What effective practice looks like
Research supports:
Phonics instruction to help develop childrenโs encoding skills
Encouragement of emergent writing and then โkid writingโ from the earliest stages
The explicit teaching and modelling of encoding strategies
Using childrenโs informed sound spellings as evidence of their developing phonological awareness, orthographic mapping and overall spelling development
Providing children with verbal feedback and undertaking underwriting alongside pupils
Using a writing approach which supports developing childrenโs transcription, composition and oral language together
Providing lots of meaningful writing experiences
Put simply, children become better spellers by trying to spell the words they want to write most.
Ouellette, G., and Sรฉnรฉchal, M. (2008). Exploring the cognitive and linguistic underpinnings of invented spelling. Scientific Studies of Reading, 12, 195 to 219. [LINK]
Kim, Y. S. G., & Graham, S. (2022). Expanding the Direct and Indirect Effects Model of Writing (DIEW): Readingโwriting relations, and dynamic relations as a function of measurement/dimensions of written composition. Journal of Educational Psychology, 114(2), 215. [LINK]
Feldgus, E. G., Cardonick, I., & Gentry, J. R. (2017). Kid writing in the 21st century: A systematic approach to phonics, spelling, and writing workshop. Hameray Publishing Group [LINK]
Welcome to our new blog series where BIG WRITING IDEAS ARE SIMPLY EXPLAINED! This series is dedicated to sharing key subject knowledge that can make you a better teacher of writing.
Each month, we will share a new concept or figure with you. Over time, we hope this series can build up your expertise. To follow the series, simply sign up to our newsletter here.
This month, we are looking at Donald Murray.
๐ฃ Writerโs block is part of writing
โSometimes not writing is part of writing.โ
๐ง The big idea
In The Essential Delay (1978), Donald Murray reframed so-called writerโs block as an essential part of the writing process. Rather than seeing students sitting and thinking as a lesson failure, Murray distinguished between avoidance (true block) and the need for incubation time (the necessary delay while ideas form, connections surface, and the writerโs purpose clarifies). He urges teachers to help students recognise that the writing process includes productive silences and that pressure to rush to the page can actually undermine their deeper thinking and the quality of their writing.
๐บ Incubation vs. block Not all inactivity is avoidance. It’s often preparation and thinking. ๐ฑ โThe mind is working even when the pen is still.โ
๐บ Writing is recursive The writing process involves looping back, pausing and waiting for insight. โป๏ธ โDelay can be the space where ideas ripen.โ
๐บ Patience in process Good writing can require time away from the page.
๐ค Key figure
๐๏ธ Donald M. Murray Pulitzer Prizeโwinning journalist and influential composition theorist. His work emphasised writing as discovery and the value of process over product.
๐ ๏ธ In the writing classroom
โ Encourage freewriting, conversation and brainstorming during stuck moments. โ Model and normalise pauses during writing time. โ Avoid seeing students sitting and thinking as always being procrastination.
โ๏ธ Criticism and debate
๐ธ Some fear that normalising delay supports student avoidance. ๐ธ Others note that not all writers can afford long incubation due to tight deadlines. ๐ธ Still, Murrayโs approach remains a touchstone for compassionate, process-based instruction.
๐ฌ Famous quote
โSitting and thinking is not failure – it’s part of the work.โ
Find out more:
A Writer Reforms (The Teaching Of Writing) Donald Murray & The Writing Process Movement, 1963-187ย by Michael J. Michaud [LINK]
Teach Writing As A Process Not Productย by Donald Murray [LINK]
Welcome to our new blog series where BIG WRITING IDEAS ARE SIMPLY EXPLAINED! This series is dedicated to sharing key subject knowledge that can make you a better teacher of writing.
Each month, we will share a new concept or figure with you. Over time, we hope this series can build up your expertise. To follow the series, simply sign up to our newsletter here.
This month, we are looking at Anne Lamott.
๐ฃ S*** first drafts
โAlmost all good writing begins with terrible first efforts.โ
๐ง The big idea
In her widely loved essay โS*** First Drafts,โ Anne Lamott reframes the messy beginnings of writing as not just inevitable but essential. She argues that no writers (not even professionals) sit down and produce a polished draft in one go. Instead, the first draft is a private, exploratory space where the only job is to get words onto the page. Revision is where real writing happens.
๐๏ธ In context
Year
Event
1994
Bird by Bird: Some Instructions on Writing and Life published [LINK].
Today
Frequently assigned in creative writing and professional writing contexts.
๐ Core concepts
๐บ Permission to write badly The first draft doesnโt need to be good โ it just needs to exist. โ๏ธ โYou canโt fix what you havenโt written.โ
๐บ Silencing the inner critic Worrying about quality too early kills creativity and momentum. ๐คซ โTurn off the perfectionist voice until later.โ
๐บ Writing as process Good writing emerges through multiple drafts, each with its own purpose. ๐ โDrafting is discovery.โ
๐บ Private first drafts Your first draft is for you alone โ no one else needs to see it. ๐ โThe mess can stay behind the curtain.โ
๐ค Key figure
๐๏ธ Anne Lamott Novelist, memoirist, and writing teacher known for her humorous, candid, and compassionate approach to the writing life. Bird by Bird is considered a modern classic on writing.
๐ ๏ธ In the writing classroom
โ Model low-stakes drafting to lower studentsโ writing anxiety. โ Use freewriting exercises to encourage children’s risk-taking. โ Model the use of revisions strategies as part of class writing projects to normalise revising. โ Discuss professional authorsโ drafting habits to demystify the process.
โ๏ธ Criticism and debate
๐ธ Some worry it gives children license to turn in underdeveloped manuscripts without revision. ๐ธ Others note it risks romanticising โchaosโ without teaching concrete revision strategies. ๐ธ Still, itโs widely praised for reducing perfectionism and developing a healthier and more realistic writing mindset.
๐ฌ Famous quote
โThe first draft of anything is s***โ – Ernest Hemingway
Find out more:
Bird by Bird: Some Instructions on Writing and Life by Anne Lamott [LINK]
This article outlines how to support children with their early word writing.
Specific literacy skills for supporting early word writing
Successful word writing is a complex task requiring the integrated effort of several literacy skills (Feldgus et al. 2017; Treiman & Kessler 2014; Zhang et al. 2025). These include:
Specific literacy skills for supporting early word writing
Emergent writing
This is the most foundational stage and encompasses all of a child’s attempts at writing before they know about phoneme-grapheme correspondence.
It includes scribbling, drawing, making letter-like shapes and writing strings of letters that aren’t necessarily mapped to corresponding sounds (Byington & Kim 2017; Pinto, G., & Incognito 2022).
Children lean on their emergent writing practices while they continue to learn more about conventional โadultโ writing (Feldgus et al. 2017; Young & Ferguson 2024a).
Correlation with word writing is strong because it indicates a child has already engaged in exploring the functional purpose of writing (Gerde et al. 2012).
Watching someone write often grabs young childrenโs attention. Children like to imitate the actions of adults. If a young child sees you writing, they will want to participate and copy you. If children regularly spend time in the company of others writing, they will โwriteโ alongside them. As a result, they can learn to engage with writing long before they can form letters. This gives them valuable early experiences with being a writer.
Print conventions
Understanding that in the English writing system writing typically moves left-to-right, top-to-bottom and spaces are used to separate words.
Essential for readability; should be modelled during reading and writing experiences (Cabell et al. 2007; Dunsmuir & Blatchford 2004).
Letter formation
Knowing how to correctly form individual letters (graphemes).
Crucial. Slow or poor formation consumes working memory and can negatively impact a childโs composing (Puranik & Al Otaiba 2012; Reutzel et al. 2019; Santangelo & Graham 2016).
Letter retrieval
The automaticity of selecting the correct letter shape(s) (grapheme) for a specific sound (phoneme). Also known as automaticity of phoneme-grapheme correspondence.
This is the primary skill for phonetic spelling. The automaticity of retrieving the correct letter pattern (grapheme) for a sound is the strongest immediate predictor of early writing success (Caravolas et al. 2001; Malpique et al. 2020; Puranik & Al Otaiba 2012).
Phonological awareness
The ability to isolate and hear the individual sounds (phonemes) within a spoken word. This is critical for children to translate the sounds they can hear into words on the page.
The ability to break spoken words into individual sounds dictates whether a child can attempt phonetic spelling (Cabell et al. 2022). Inviting children to write can develop their phonological awareness (Vernon & Ferreiro 1999; Zhang et al. 2017).
Encoding
The integrated act of segmenting a word, selecting the correct letter(s) for each sound, and sequencing them to write an informed or otherwise conventionally spelt word (Feldgus et al. 2017; Young & Ferguson 2024a).
This is the output measure itself. If children are successfully encoding words, the above required sub-skills are well integrated and working well (Feldgus et al. 2017; Puranik & Al Otaiba 2012; Treiman & Kessler 2014).
Morphology
The ability to understand and manipulate morphemes (the smallest units of meaning in a word, such as prefixes, suffixes, and root words).
Provides powerful knowledge for spelling longer and more complex words (e.g. un- help -ful), reducing reliance on encoding individual sounds.
Accelerates spelling progress in later stages (Devonshire & Fluck 2010; McCutchen & Stull 2015; Nunes et al. 2003; Wolter et al. 2009).
Orthographic representation
The ability to store and retrieve specific letter sequences from memory (lexical knowledge). This involves recalling a word’s conventional spelling (especially important for irregular words).
Crucial for moving from phonetic spelling (kat for cat, sed for said) to full conventional spelling (Treiman & Kessler 2014).
Cognitive and perpetual skills for early word writing
These seven underlying cognitive and perpetual capacities are the fuel that drive children towards successful word writing.
Cognitive and perpetual skills for early word writing
Cognitive/perceptual focus
Importance to early word writing
Working memory
Arguably the most critical cognitive skill. Working memory holds the spoken word, the segmented sounds, and the sequence of letters being transcribed in the mind (Berninger et al. 2010; Kellogg 2001; Leidershnaider 2025; Hooper et al. 2011; Zhang et al. 2017).
Oral language and vocabulary
A child must know the words that best represent what it is they want to say. Strong oral language, particularly at the full discourse level, is a powerful predictor of overall writing quality (Cabell et al. 2022; Kim & Schatschneider 2017; Puranik & Lonigan 2012; Seoane et al. 2025).
Motor skills
Directly impacts the fluency of word writing. When graphomotor speed is slow, it creates a bottleneck, diverting working memory away from composing (Leidershnaider 2025; Hooper et al. 2011; Puranik & Al Otaiba 2012).
Metacognitive skills
Refers to functions like planning, self-monitoring, and checking (Balade et al. 2025; Limpo & Olive 2021).
Processing speed
The efficiency of converting sounds to letters and physically producing them (Afonso et al. 2020).
Attention and focus
Sustained concentration is necessary for word writing (Kim & Schatschneider 2017).
Long-term memory
The broad category that stores all knowledge (vocabulary, letter forms, orthographic representations). Its function is obviously embedded within the other skills listed (Caravolas et al. 2001).
Engagement with early word writing
As Donald Graves (1983, p.1) famously announced: Children want to write. They want to write from their very first day of school. Keeping that motivation alive is essential as children who are motivated to write are more likely to: put in increased effort, persist for longer, show more enthusiasm, give writing more of their attention and be more willing to seek help from others.
This engagement requires: (1) explicit modelling and instruction in the skills required to be successful and (2) regular meaningful, motivating and pleasurable writing experiences.
Word writing progression
Students’ abilities in word writing develop along a continuum, moving through distinct phases that are greatly facilitated by systematic instruction and meaningful writing experiences. For word writing, this progression is often conceptualised in five phases:
1. Emergent writing
The child hasnโt yet got an understanding of the systematic relationship between letters and sounds. To see the specific stages of emergent writing, click here.
2. First and final sound spelling
The child begins using their letter-sound knowledge but accuracy is usually limited to consonants and short vowels.
cat โ ct (child writes the consonants, may omit vowels)
dog โ dg
sun โ sn
bat โ bt
3. Phonetic spelling
The child can spell most single-syllable words but struggles with irregular words and more complex patterns like silent long-vowels.
make โ mak or make (may omit the silent e)
home โ hom
bike โ bik
read โ red or reed (confusion with long-vowel spelling patterns)
4. Chunk spelling
Errors typically occur at syllable junctures or in unaccented syllables.
hoping โ hopeing (error at the syllable juncture where the silent โeโ should be dropped)
running โ runing (omitting the doubled consonant at the syllable break)
family โ famly (dropping an unaccented syllable)
different โ diffrent (leaving out the unstressed middle syllable)
5. Expert spelling
Errors are most common with low-frequency, multisyllabic words involving derivational morphemes.
electricity โ eletricity (dropping a syllable within a derived form)
responsibility โ responsiblity (omitting the derivational suffix syllable)
biological โ bioligical (confusing the placement of the derivational suffix -ical)
nation โ natian (misapplying the derivational -ion pattern)
It is important to note that these developmental phases are not rigid and children will move between these stages depending on the specific word they wish to write.
Approaches to early writing
The main approaches to early writing include: writing readiness, naturalistic, reading first and communicative (Young & Ferguson 2024b). Each approach profoundly shapes how you teach young writers. Teachers should adjust how much each approach influences their practice based on what they believe their class needs most.
1. Writing readiness stresses early transcription skills. It helps children who struggle with the foundational skills of writing. However, taken to its extreme, it can deny children meaningful writing experiences. Children can begin to see writing as nothing more than transcriptional drills which serve no purpose (Young & Ferguson 2025a). At its worst, it creates passive and disengaged writers.
2. Naturalistic stresses freedom, self direction and self-expression. It values emergent writing, individual pacing, and childrenโs own volition to write (Edelsky 1990). Taken to its extreme, it can avoid providing explicit instruction, leave some children without the experiences or support they need, and can be in conflict with modern-day curriculum requirements.
3. Reading first erroneously delays the teaching of writing in favour of teaching early reading. Research does not support such an approach. Writing instruction and experiences boost childrenโs reading development. Reading and writing are mutually beneficial (Graham & Hebert 2011; Kim 2022a, 2022b; Vernon & Ferreiro 1999).
4. Communicative stresses providing explicit instruction alongside writing for real purposes and audiences (Young & Ferguson 2025b). Daily opportunities to engage in meaningful writing is seen as essential. It balances explicit teacher modelling and instruction with opportunities for meaning making and meaning sharing. It looks to create a community of writers with the focus on successfully communicating with readers.
We view a communicative approach as the best starting point for early writing. This is because it brings together (1) systematic synthetic phonics, (2) letter formation/handwriting instruction, (3) spelling instruction (4) explicit teacher modelling and writing instruction, and (5) daily opportunities to engage in meaningful writing experiences.
Research-supported recommendations
Six key recommendations emerge from research for effective word writing:
1. Teach phonological awareness
This involves systematic instruction in manipulating sounds (e.g. blending, segmenting). This comprehensive sequence reflects a consensus among structured synthetic phonics programs, all of which prioritise a systematic introduction to phoneme-grapheme relationships.
2. Teach letter formation
Explicitly model and teach letter formation (see here for more). Handwriting instruction should focus on: frequent exposure, making name-sound connections, teaching visually similar letters non-sequentially, and building automaticity in both letter recognition and letter writing. Here is a recommended order of teaching:
3. Model encoding strategies and encourage children to write their own informed โsound spellingsโ
Teachers should regularly model how to encode words to paper. An analytic approach should be used for irregular words. Teachers should focus childrenโs attention on the parts of a word that do follow predictable patterns (e.g. the sh and d in should) (McGeown et al. 2013). Informedโsound spellingsโ let children represent the sounds they hear, even if the spelling is unconventional or incomplete. It is not an error but a sign of their developing phonological awareness and a crucial practice ground for encoding (Ouellette & Sรฉnรฉchal 2008; Treiman 2017).
4. Model chunking
As students progress, they must learn to process chunks larger than individual graphemes. This includes modelling:
(1) common rime units or phonograms (e.g. -ock, -ight, -ean),
Roots: struct (construct, destruct, structure), port (transport, portable, import)
Activities like word sorts and word building are highly effective for this type of learning.
5. Encourage children to use โkid writingโ for the phoneme- grapheme correspondence they donโt yet know and utilise โunderwritingโ
When children encounter a grapheme-phoneme correspondent they haven’t learnt yet, they should be encouraged to use a simple line or squiggle as a placeholder. This is sometimes called using your โkid writingโ (Feldgus et al. 2017). Kid writing is a powerful assessment tool as it quite literally shows you the gaps in childrenโs understanding of word writing.
Underwriting is the practice of transcribing a childโs kid writing or informed spelling into conventional adult spelling. This is typically done under or at the bottom of their original writing. When implemented correctly, it is a powerful teaching tool and feedback mechanism (Ouellette & Sรฉnรฉchal 2008; Puranik & Lonigan 2014).
Best practice involves ensuring it is done with the childโs consent and presence, celebrating what the child already knew about the word they wanted to write (e.g. underlining their correct sounds), and providing a conventional spelling model for their reference. It offers valuable opportunities for individualised responsive instruction and should be used selectively, never before the child has made their own attempt so as to avoid undermining their confidence and intrinsic motivation to write independently (Treiman & Kessler 2014). For more, see this article.
6. Provide meaningful writing experiences
Children should be regularly invited to use and apply their word writing skills in the context of meaningful writing experiences. Students should be encouraged to apply their ever developing encoding knowledge in daily book-making/writing time (see here for more), reinforcing the connection between skill acquisition and authentic communication.
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Further recommended reading
The power of emergent writing
How can you teach children to write before they know their letters? [LINK]
Debunking edu-myths: โEmergent writingโ isnโt necessary before teaching children to write [LINK]
Debunking the โbones arenโt readyโ and โmotor skills firstโ myths: What research says about young childrenโs handwriting [LINK]
This free handbook addresses some of the major aspects of teaching writing. The aim is to create an invaluable reference guide for all teachers. We hope to update this handbook every year to take account of the latest research and thinking. We would like this handbook to support teachers in developing sound subject knowledge and exceptional classroom practice. We have tried to make the research as accessible as possible. The handbook includes:
Over 1000 research entries covering the major aspects of developing students as writers.
Short abstracts and keyword tags to help teachers find the research they are looking for.
An analysis of the analysis and what it is the best performing writing teachers do that makes the difference.
A chapter dedicated to each of the 14 principles of world-class writing teaching.
Research on the early teaching of writing including compositional development, phonics, encoding, spelling, letter formation and handwriting.
Extended entries on major topics such as speaking and listening, reading/writing connection, multilingualism, special educational needs and disabilities, and social and emotional disorders.
Focused chapters on the affective needs of student writers, including: self-efficacy (confidence), self-regulation (competence and independence), agency, motivation and writer-identity.
Essential literature and suggested reading offered at the end of each chapter.
This handbook is a useful resource for anyone interested in developing world-class writing teaching. Teachers should find what is shared within these pages utterly interesting, informed and helpful.
We have done our best with this fifth edition to cover many aspects of writing teaching in the best way we can. We have provided a variety of research, from different disciplines, and from a variety of perspectives. Weโve tried to provide a balance between the very latest emerging research and classic studies which contain profound insights and have stood the test of time. If you think some important research entries are missing, then please contact us. You can contact us through our website at: http://www.writing4pleasure.com/contact
New to this fifth edition:
Our handbook now comes in two volumes.
Volume one covers affective factors in childrenโs writing development. It also summarises findings from meta-analyses, case studies, and organisational reports on world-class writing teaching.
Volume two presents the 14 principles of world-class writing teaching.
This edition also includes the following updates.
Additional reading on theories of writing development.
Recommended reading on initial teacher education.
Significant additions to the motivation and writer identity chapters.
Expanded commentary on writing interventions, supporting children with special educational needs, and developing multilingual writers.
A new section on parental/home support for writing
A new section on writing and AI, including the use of large language models.
Major additions on the importance of a consistent approach to teaching writing in the early years.
Further additions on supporting secondary students.
Expanded reading on early word writing, letter formation, handwriting, encoding, and spelling.
Significant new reading in the personal writing projects chapter.
Major additions to the reading and writing connection chapter.
Welcome to our new blog series where BIG WRITING IDEAS ARE SIMPLY EXPLAINED! This series is dedicated to sharing key subject knowledge that can make you a better teacher of writing.
Each month, we will share a new concept or figure with you. Over time, we hope this series can build up your expertise. To follow the series, simply sign up to our newsletter here.
This month, we are looking at Linda Flowers & John Hayes.
๐ฃ The cognitive process model
โThe process of writing is best understood as a set of distinctive thinking processes which writers orchestrate or organise.โ โ Linda Flowers
๐ง The big idea
Flower and Hayes revolutionised how we understand writing – not just as putting words on a page but as a complex thinking process. Their model shows that writing involves multiple, overlapping mental activities like planning, translating ideas into text, and reviewing. Itโs a dynamic, recursive process where writers constantly juggle goals, audience needs, and problem-solving.
In short: Writing isnโt linear โ itโs a loop of thinking, writing, and revising.
Their model reshapes composition studies and writing instruction
Today
Foundation of cognitive and process-oriented approaches to writing
๐ Core concepts
๐ Planning Deciding what to write, setting goals, and organising ideas. ๐ฃ๏ธ โWhat do I want to say, who do I want to say it to, and how to I want to say it?โ
๐ Translating Turning ideas into actual words and sentences. ๐ฃ๏ธ โHow do I express these ideas as words and sentences?โ
๐ Reviewing Rereading and revising text to improve clarity and effectiveness. ๐ฃ๏ธ โIs this any good? What needs working on?โ
๐ Recursive process Writers donโt move straight through these steps โ they loop back and forth, rethink, and revise constantly.
๐ Working memory and long-term goals Writers juggle immediate sentence choices and their broader writing goals simultaneously.
๐ค Key figures
๐จโ๐ซ Linda Flower & John R. Hayes Cognitive psychologists and composition researchers who mapped out writing as a mental process, shifting teaching toward process and strategy.
๐ ๏ธ In the writing classroom
โ Teach writing as a flexible, recursive process โ Encourage planning and goal-setting before and during writing โ Understand that revision is a key part of thinking and improving โ Plan class writing projects in a way that manages studentsโ cognitive load and focuses their attention
โ๏ธ Criticism and debate
๐ธ Some say the model underestimates the social, motivational, and cultural influences on writing. ๐ธ Critics argue itโs focused more on developing the individual writer than developing a social group of writers. ๐ธ Still highly influential in process-based writing pedagogy.
Find out more:
A Cognitive Process Theory of Writing by Linda Flower & John R. Hayes [LINK]
The Science Of Teaching Primary Writing by Ross Young & Felicity Ferguson [LINK]
Previous entries in the series
โWriting as a processโ โ Donald Murray [LINK]